Profiles
New York City Ballet's Olivia Boisson. Photo by Melika Dez, Courtesy Black Iris Project.

In 2016, choreographer Jeremy McQueen founded the Black Iris Project with the aim of bringing together predominantly minority dancers each summer to create works that celebrate diversity and black history. This year, he's mixing it up. In honor of South African anti-apartheid leader Nelson Mandela's 100th birthday on July 18, McQueen created 100 FISTS in collaboration with photographer Melika Dez. Each day, for the hundred days leading up to Mandela's birthday, BIP has released a photo on social media of a black dancer in a New York City location, posed with their hand in a fist. Each photo is paired with an inspirational quote by Mandela. Pointe caught up with McQueen to find out how this project came together and what's next for the fledgling collective.

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Training
Deborah Wingert teaching class. Photo by Erin Baiano, Courtesy Manhattan Youth Ballet

Deep down, Dara Oda knew she wasn't ready. Despite 15 years of solid training at the School of DanceWest Ballet near her hometown outside of Chicago, by the end of high school she realized she still didn't have the technique or maturity for a realistic shot in a company audition. "It was terrifying," Oda recalls. "I was unsure of where I stood in terms of my dancing abilities, but I didn't really know where, or how, to improve." She did find a path to her career—she's now a member of Texas Ballet Theater—but she wishes she'd figured out that she was behind a lot sooner. "I'd had good training, but was oblivious to the fact that I needed to be doing so much more than I was."

Many students fear being in a situation like Oda's: arriving at a company audition only to discover that they haven't progressed technically and artistically as far as their peers. And with an endless supply of ballet prodigies online and in competitions, it's hard not to worry that you're not advancing fast enough. How can you make sure you're on track to meet your professional goals?

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