Ballet Training
Nayara Lopez in The Nutcracker's snow scene. Alexander Iziliaev, Courtesy Pennsylvania Ballet.

Many workouts, one goal: When Nayara Lopes is asked what she does to cross-train, there's no short answer. Some days she swims laps; other days she takes yoga. And then there are her elliptical sessions, strength-training with light weights and Pilates classes. Why does she work so hard outside of the studio? "Because I want to feel good onstage," she says. "There's nothing better than going out there and having fun and knowing you're gonna get through it." Thanks to her cardio routine, stamina isn't an issue. "When I'm onstage, I feel ready for anything."

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Health & Body
NYCB principal Adrian Danchig-Waring in rehearsal. Photo by Erin Baiano, Courtesy NYCB.

Cross-training to heal: Since 2010, principal dancer Adrian Danchig-Waring has dealt with flare-ups of painful stress fractures in his shins. When we spoke, he was working on healing those "dreaded black lines," substituting physical therapy, cardio and strength work for his usual dance-heavy schedule with New York City Ballet.

Pool time: Unable to participate in company class or bear much weight, Danchig-Waring has taken up swimming for 30 to 60 minutes daily. "It's become sort of my new passion," he says. He likes the sport for its no-impact, high-cardio nature and often follows lap workouts from a training website called goswim.tv. He cycles through various strokes, like freestyle, crawl and backstroke, to condition different muscles in his arms and shoulders.

Strength in numbers: Danchig-Waring takes a group fitness class, typically Pilates, after each swim. At first, he was surprised by how much he enjoyed the atmosphere. "But then I realized my whole life as a ballet dancer has been group fitness. There's this healthy sense of competition and collective energy that motivates, and it helps to push yourself further."

Off-his-feet footwork: Pilates mat work is especially perfect for him since most of the class is done lying down or on all fours. This allows Danchig-Waring to articulate his feet through demi- and full pointe in non–weight-bearing exercises, like the single-leg stretch and criss-cross. "Foot strength is such an essential part of this rehabilitation," he says.

Retraining the body and mind: Danchig-Waring works with a physical therapist twice a week on what he calls "neurologic reconditioning." He's coached through basic exercises, like sitting on the edge of a bench and slowly rising to relevé in parallel while holding a tennis ball between his ankles. Though the movements aren't complex, it's a mental challenge. "I focus on firing specific muscle groups that are otherwise resistant to working." The aim is to relieve some of the burden from his shins and toes and instead rely more on his glutes and abductors for stability.

Discovery zone: Inspired by his injuries, Danchig-Waring is on a mission to better understand ballet's mechanics—in the past, he even took a kinesiology lab at New York University. Despite being a principal dancer, he says, "I feel like a total novice when it comes to how the body is designed to move." Ballet is about so much more than forcing the body into beautiful shapes, he says, so now he's learning to dance in a way that's healthier and more sustainable.

Ballet Training
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I have stress fractures in my sesamoid bones and need to be off my feet for four weeks. What are the best non–weight-bearing exercises I can do to stay in ballet shape? —Lindsay

Your sesamoid bones (two tiny, pea-shaped bones under the ball of the foot that act as a pulley for the big toe tendons) are a point of contact with the floor, so it's important to avoid bearing weight on the front of the foot while they heal. But that doesn't mean you can't continue conditioning your body. In fact, this is an excellent opportunity to work on core strengthening.

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Photo by Jesper Stechmann via Unsplash

If you're looking for a cardiovascular workout, swimming laps can be a great option. But it shouldn't be your primary source of cardio exercise, says Michael Velsmid, DPT, MS and owner of Boston Sports Medicine, a clinic that provides aquatic therapy to Boston Ballet dancers. “The dancer's body needs to have a certain amount of stress imparted on it," he says. “But if you're recovering from a heavy workout, the pool is great. Where you might typically want to skip a day to rest and recover, you can go in the pool without any additional delay in your recovery."

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Health & Body
Matthew Karas for Dance Magazine

Om at home: Three days a week, Van Buskirk spends about 20 minutes waking up with yoga. “I build muscle easily," she says, “so I like to balance it out by stretching and lengthening." She moves through sun salutations and warrior poses to get her heart rate up but pauses when her body needs a deeper stretch. “If my psoas is sore, I usually hold my lunges." Yoga's breathing techniques also help her connect with her breath during demanding choreography.

Stability secret: “My left knee has been giving me problems, so I do a lot of stabilizing work," she says. Between allégro combinations, she builds strength around the joint with this exercise: Standing in parallel with one leg in a turned-in passé, she slowly lowers into a lunge and tries to touch the ground with her hand before returning to standing. The focus is on tracking the standing knee with correct alignment.

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Health & Body
Via Pixabay

Is working out in a pool a good way to cross-train? If so, can you describe some of the strengthening exercises that dancers can do in the water? —Karen

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