Summer Intensive Survival
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At my first summer intensive away from home, my roommate and I deliberated good-naturedly over bunkbeds and decorations. But the next summer, I walked into a triple dorm room and was met with the least desirable bed choice and nearly every inch of wall space plastered with posters of teen pop artists I didn't care for. (Well, hated.) While my two roommates became fast friends, they were aloof towards me and disregarded my personal space.

It was not an ideal situation, but it was one that I had to learn to live with for five weeks. Venturing away from home for summer programs means intimate spaces, unfamiliar faces and new rules—a recipe for lifelong friends if you're lucky, tribulations if you're not. Either way, learning to deal with residence hall life is good training for what may come later in your ballet career or in college.

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Summer Intensive Survival
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I'm a young dancer, and I've been accepted to a prestigious summer program. I know intensives are a good way to get my name known in the dance world. How do I give a good impression without seeming nervous? —Lydia

Relax! It sounds like you still have several years before you need to worry about networking for a job. Instead of placing all of your focus on what the school director thinks of you, shift your priority to soaking up as much as you can from your classes. That said, you can make a good impression by working hard, being open to corrections (and quickly applying them) and asking smart questions.

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Summer Intensive Survival
Follow these tips to stay fresh and clean all summer long. Here, Pacific Northwest Ballet School Summer Course students in a partnering class. Photo by Angela Sterling, Courtesy PNB.

No matter where you're training this summer, you want to make an impression with your artistry— not your B.O. You'll be dancing (and sweating) more than usual, so follow these basic rules to help you stay healthy and keep embarrassing hygiene faux pas at bay.

✔ Change your dancewear daily.

Photo by Jayme Thornton

To ward off odors and the chance of infection, "you must wear a clean leotard and tights every day," says Deborah Hess, senior faculty at Canada's National Ballet School. For men, that means a fresh pair of socks and tights, plus a clean shirt and dance belt. Since you'll have multiple classes, you may need to change midday to avoid skin irritation and odor.

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Summer Intensive Survival
Students in class at the Kirov Academy of Ballet. Photo by Paolo Galli, Courtesy Kirov Academy

It's August, so two things are pretty much guaranteed: 1. It's really hot out. 2. If you're a bunhead, you're nearing the end of your summer intensive.

By now, you've gotten used to the early morning alarm, followed by the inevitable reminder that your muscles are (still) sore as you roll of out bed. But the excitement of arriving at an enticing training destination full of challenging instructors and fellow dancers may have faded. What's left is the hard work in the studio from dawn till dusk.

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Summer Intensive Survival
Summer intensive students at the School of American Ballet. Photo by Rosalie O'Conner, Courtesy SAB.

As a young student, Shea McAdoo's classes at the Master Ballet Academy in Scottsdale, Arizona, were “strict, straightforward, very classical and purely Vaganova." She appreciated the Russian rigor and precision, but when she was accepted to the School of American Ballet's summer course at 13, she leapt at the chance to learn something new. The vastly different emphasis on Balanchine technique at SAB was illuminating: “It changed my whole way of thinking about musicality and accents. I'd never known there were so many ways to do a tendu! And the épaulement—I loved how they talked about light hitting your face, tilting your chin to show off your diamond earring."

McAdoo's experience was transformative, even when she returned home. “Of course, I lowered my arms back down in second and didn't cross my wrists," she says, “but there were stylistic choices I brought back with me." Today, as an apprentice with Oregon Ballet Theatre rehearsing Balanchine's Serenade, she credits her ease with the ballet's fluid port de bras to her summer at SAB.

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Summer Intensive Survival
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Is it better to audition for a summer intensive at a small school where I'll get individualized attention, or at a large school where I might have a chance to stay year-round?Amy

When it comes to auditioning for summer programs, you should go for a range of schools. Not only does that allow you to practice auditioning, but you can better assess what each program offers and which might be the best fit for you. Once you know which intensives you've gotten into, you can make an informed final decision. And in addition to size, you should be keeping other important factors in mind: the faculty, the types of classes offered, performance opportunities and costs.

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