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These Dancers Are Climbing the Ranks at 7 Major Companies

Peter Mueller, Courtesy Boston Ballet

Summer means promotions announcements, and dancers transitioning from one company to another. And while we've already shared some updates with you (see San Francisco Ballet here and here, American Ballet Theatre here), more news is being released each day. Below, we've rounded up recent updates from seven companies. Read on to find out whose names you'll be seeing in playbills across the country (and Canada!) in the year to come.

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News

Congrats to 2019 Erik Bruhn Prize Winners Siphesihle November and Catherine Hurlin

From left: Catherine Hurlin, Siphesihle November and Kristian Lever. Karolina Kuras, Courtesy NBoC.

Over the weekend, eight of the world's most promising young dancers competed in Toronto for The Erik Bruhn Prize. Since 1988 the prize, named for celebrated danseur noble Erik Bruhn, has brought together one male and one female dancer from each of the companies that he was affiliated with. Dancers must be between the ages of 18 and 23, and are invited by their artistic directors to compete. Each couple performs a classical and contemporary pas de deux, though they're judged individually.

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Site Network

These Are Our "25 to Watch" Picks for 2019

Photo credits, clockwise from bottom left: Peter Mueller, Courtesy Cincinnati Ballet; Jayme Thornton; Jochen Viehoff, Courtesy Stephanie Troyak; Karolina Kuras, Courtesy National Ballet of Canada; Natasha Razina, Courtesy State Academic Mariinsky Theatre; Kim Kenney, Courtesy Atlanta Ballet; Jim Lafferty; Arian Molina Soca, Courtesy Pennsylvania Ballet; Altin Kaftira, Courtesy Dutch National Ballet; Scott Shaw, Courtesy Shamar Wayne Watt

What's next for the dance world? Our annual list of the dancers, choreographers and companies that are on the verge of skyrocketing has a pretty excellent track record of answering that question.

Here they are: the 25 up-and-coming artists we believe represent the future of our field.

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Ballet Stars

2018 Stars of the Corps: National Ballet of Canada's Siphesihle November

NBoC's November is a natural onstage. Photo by Karolina Kuras, Courtesy NBoC.

Siphesihle November scarcely touched the ground as he launched into The Sleeping Beauty's grueling Bluebird variation last March, dancing the avian steps with meticulous clarity and keen alertness to Tchaikovsky's music. Nothing was forced or showy; it looked disarmingly natural.

National Ballet of Canada artistic director Karen Kain hired November into the corps a year ago, right after he graduated from Canada's National Ballet School. The transition—no apprentice year—was daunting. "It's all fantasy until you get there," says November. "Then it hits you. This is really it!"

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