Sasha De Sola and Carlo Di Lanno in The Sleeping Beauty. Erik Tomasson, Courtesy SFB.

The first time I saw Sleeping Beauty was on video, the Kirov version with Larissa Lezhnina. The music for the first entrance gave me butter- flies. Aurora comes out, and it captured my heart. Larissa coached me for my first sea- son of Aurora, and just the fact that we were sharing the same studio—I couldn't get over it. One of the things she encouraged me to explore is after Aurora faints: You get back up, you look up at your parents and re- center yourself. For me, what feels natural is that you don't want anyone to worry. Maybe there is a moment where you get a little embarrassed. It's those small moments that make it feel very personal to me.

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Ballet Stars
Photo by Karolina Kuras, courtesy Book Bank USA.

You know you've really made it when a children's book has been made about your life. While San Francisco Ballet principal Sasha De Sola has long inspired audiences young and old onstage, she is now the subject of On Tiptoes/De Puntitas, a bilingual book by Catalina V. Monterrubio with gorgeously illustrations by Gabriela García. Told in English and Spanish, On Tiptoes/De Puntitas ($24.90, available at Book Bank USA) is actually two stories that start at either end and meet in the middle. One follows De Sola, whose mother puts her in ballet to help her overcome her shyness; she later battles an injury and joins SFB through her hard work and dedication. The other story follows a fictional boy who falls in love with De Sola after seeing her perform. Inspired, he decides to become a dancer himself and overcomes bullying from his peers. The two stories converge when the dancers meet and perform a pas de deux.

De Sola, who was born in Florida of Venezuelan parents, grew up speaking Spanish. She played a central role in the book's creation, offering its creators guidance on both ballet life and its aesthetics. "I'd love to see a world where we collaborate more as artists," she said in an interview with Pointe last month. Below, she talks about how the process unfolded and what she hopes the book achieves.

Courtesy Book Bank USA

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News
Courtesy VAM Productions

Raise your hand if you're excited for competition season! Youth America Grand Prix Regional Semi-Finals are well underway, leading up to the much-awaited New York Finals April 12-19. Even better, they're live-streamed, meaning you now have the perfect excuse to spend your weekend at home, watching ballet (while sewing your pointe shoes and stretching, of course).

This weekend features semi-finals in Seattle, Washington and Tampa, Florida. To see the full schedules and set up streaming, click here. Streaming starts at $13.99. Packages of 2, 4, 6 or 12 total viewing hours are available, and viewers can log in and out as often as they like.

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An interior photo of 14-year-old Em Marie, from Jordan Matter's new book Born to Dance. Photo courtesy Workman Publishing.

Looking for a last-minute gift for your ballet bookworm? Here's a sampling of recently published dance books for bunheads of all kinds, whether they're a health nut, a ballet history buff or just learning to point their toes.

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Viral Videos
Sasha De Sola and Hansuke Yamamoto in George Balanchine's Divertimento No. 15. Photo by Erik Tomasson, Courtesy San Francisco Ballet.

Master pointe shoe fitter Josephine Lee of the California-based The Pointe Shop touches base with San Francisco Ballet principal Sasha De Sola on all of her pointe shoe hacks, from darning to stirrup tights to customizations. Plus, we think De Sola might win the award for how quickly she kills her pointe shoes. (Hint: It's under an hour).

SFB Principal Sasha De Sola's Pointe Shoe Hacks www.youtube.com

Ballet Stars
Sasha De Sola wearing a orange shawl. "It's a hand-me-down from my good friend Madison Keesler," she says. "It's so warm and comfortable!" Photo by Quinn Wharton for Pointe.

Among the pointe shoes and fitness tools, San Francisco Ballet principal Sasha De Sola's dance bag is home to mementos from past travels. While on tour to Washington, DC, during her first year with the company, a fellow SFB dancer bought De Sola a patch from Florida, her home state. "I've been carrying it in my bag for 10 years. It has good memories and a little home-state pride," says De Sola. Her travel mug comes from a trip she took to Walt Disney World with friends after the season ended one year. "It brings me a little bit of happiness," she says.


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Ballet Stars
From left: Jennifer Stahl, Lonnie Weeks and Sasha De Sola in rehearsal for Trey McIntyre's new work. Photo by Christian Peacock for Pointe.

Photography by Christian Peacock

Summer is always a lively time at San Francisco Ballet, as the dancers return from vacation and launch into rehearsals for the upcoming season. But last July through September felt absolutely electric with creativity as the company created 12 world premieres for Unbound: A Festival of New Works, a cutting-edge program that will run April 20–May 6 at the War Memorial Opera House.

Artistic director Helgi Tomasson invited a wish list of international choreographers to participate: David Dawson, Alonzo King, Edwaard Liang, Annabelle Lopez Ochoa, Cathy Marston, Trey McIntyre, Justin Peck, Arthur Pita, Dwight Rhoden, Myles Thatcher, Stanton Welch and Christopher Wheeldon. Each got about 12 dancers, three weeks' studio time and, aside from a few general guidelines, total artistic freedom.

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