News
Artists of Ballet West in Balanchine's Jewels. Photo by Beau Pearson, Courtesy Ballet West.

Wonder what's going on in ballet this week? In addition to the programs at Pacific Northwest Ballet, The Washington Ballet, Ballet West and City Ballet of San Diego listed below, this week also marks Balanchine: The City Center Years, a five-day extravaganza bringing together eight companies from around the world. You can read more about it here. Also coming up is Boston Ballet's black box show, BB@home: ChoreograpHER, which features six new works by women in the company. Peek inside the budding choreographers' processes here.

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Ballet Stars
Houston Ballet principal Connor Walsh getting early practice as a leading man. Photo courtesy Connor Walsh

It's that time of year again—recital season! And not so long ago, some of your favorite ballet dancers were having their own recital experiences: dancing, discovering, bowing, laughing, receiving after-show flowers, making memories, and, of course, having their pictures taken! For this week's #TBT, we gathered recital photos—and the stories behind them—from five of our favorite dancers.

Gillian Murphy, American Ballet Theatre

Murphy gets ready for her role as "Mary Had a Little Lamb." Photo courtesy Gillian Murphy.

"This photo was taken by my mom when I was 11, waiting in the dressing room (the band room of West Florence High School in South Carolina) before I went onstage as 'Mary' for a recital piece featuring 3-year-olds as little lambs.I had so much fun being the teacher's assistant in the baby ballet class each week, particularly because my little sister Tessa [pictured below] was one of the 3-year-olds. I remember feeling quite grown up at the time because I was dancing in the older kids' recital piece later in the program, but in this moment I was just looking forward to leading my little lambs onstage in their number."

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Ballet Stars
"Twenty, thirty years ago, this work was quite unique," says Forsythe (in foreground) of his evolution as a choreographer. "Now it's been absorbed by new generations, and they expect something like this to come their way." Photo by Angela Sterling for Pointe.

William Forsythe isn't a large man, and he's not particularly flashy. But when he sidled into Pacific Northwest Ballet's rehearsal studio on a bright winter afternoon, the dancers all gravitated to him, like sunflowers stretching to the sun.

“Gather, my dears!" he greeted them, with a huge smile on his face.

Forsythe spent two weeks in residence at PNB last March, putting the finishing touches on the three dances in the first American all-Forsythe program, which included In the middle, somewhat elevated, The Vertiginous Thrill of Exactitude and New Suite.

New Suite, a collection of pas de deux from some of Forsythe's earlier works, had only been performed by one company, the Dresden Semperoper Ballett, prior to its PNB debut.

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