Nathan Sayers

Cedar Lake Contemporary Ballet's Rachelle Scott may have a dance-filled life, but that doesn't mean she has to tote her supplies in a “dance bag." “I use this really nice leather bag that I got during my second year at Juilliard—there's nothing dance-y about it," she says, with a laugh. “It's a relief to have something beautiful and functional that makes me feel like a human being, as well as a dancer."

That said, Scott enjoys thinking analytically about her craft. She always carries Steven Pressfield's The War of Art, a book that discusses ways to avoid creative roadblocks. “A good school friend of mine recommended it to me three years ago, right at that moment when I was transitioning from student to professional," she says. “Its way of talking about the artistic process grounds me and gives me a sense of perspective. I've been living by its philosophies ever since."

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2013 Princess Grace Statue Award winner Tiler Peck with Amar Ramasar in Balanchine's Allegro Brillante. Courtesy NYCB.

A few years ago, Isabella Boylston told Pointe there's an elite club at American Ballet Theatre: "The Princesses." It's corps member Blaine Hoven's nickname for the dancers like David Hallberg and Gillian Murphy who've been awarded a prestigious Princess Grace Award.

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