Houston Ballet soloist Nao Kusuzaki's expansive port de bras spreads across the stage like a pair of wings, fitting for a story of a bird who transforms into a woman. Kusuzaki not only danced the lead role in Tsuru, a piece based on the Japanese folktale The Crane Wife, but also conceived and produced the entire project, which was a partnership between Asia Society Texas Center and Houston Ballet. Drawing a range of audiences, it was the go-to event of the dance theater season last June.
Now in her 11th season with the company, Kusuzaki is known for her lyricism, her gentle presence both onstage and off, and her entrepreneurial streak. She says, “In many ways, a ballet career prepares us to have skills useful in entrepreneurship: clear long-term goal setting and laser focus, the resiliency to keep going when the outlook is not as we expect, and self-reliance." Leaving Japan at age 10 for the U.S. gave her a chance to train seriously in ballet, but also left her missing her home and tradition—which informs the work she chooses to produce now. “I want to do projects that allow for a deepening understanding of Japanese culture," she says.