Ballet Stars

From the outside, classical ballet can seem restrictive with its decorum, elaborate costumes and, of course, uncomfortable pointe shoes. Yet as ballet dancers we know that our technique actually allows our bodies to move with incredible freedom. That physical freedom is never more apparent than in watching dancers like Sylvie Guillem and Massimo Murru, both of whom danced with historic ballet companies, take on contemporary masterpieces like Jiří Kylián's Petite Mort. Stripped down to the barest costumes, their musculature and sheer physicality are unencumbered and demand awe.

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Ballet Stars
Jensen with Silas Henriksen in Petite Mort. Courtesy Norwegian National Ballet.

As told to Gavin Larsen by Whitney Jensen

My first time dancing Petite Mort—or any ballet by Jiří Kylián—I was 17 and in the corps of Boston Ballet. I didn't know it then, but the stager, Roslyn Anderson, was nervous about me doing it because I was so young. I was super-naïve and had never seen the ballet before, but I just tried to listen to Roz and emulate what she was describing. She said that she knew I could do it when I applied every single one of her corrections after our first rehearsal.

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