Just for fun
via giphy.com

Costumes: We look amazing in them but, boy, sometimes they're the actual worst. Whether they don't fit correctly or they rip right before a performance, here are 10 wardrobe malfunctions all dancers unfortunately suffer through at one point or another.

Keep reading... Show less
Just for fun
via giphy.com

Costumes: We look amazing in them but, boy, sometimes they're the actual worst. Whether they don't fit correctly or they rip right before a performance, here are 10 wardrobe malfunctions all dancers unfortunately suffer through at one point or another.

Keep reading... Show less
Just for fun
via giphy.com

Costumes: We look amazing in them but, boy, sometimes they're the actual worst. Whether they don't fit correctly or they rip right before a performance, here are 10 wardrobe malfunctions all dancers unfortunately suffer through at one point or another.

Keep reading... Show less
News
Sara Webb and Connor Walsh with Artists of Houston Ballet in "Swan Lake" choreographed by Stanton Welch. Photo by Amitava Sarkar, Courtesy Houston Ballet.

Wonder what's going on in ballet this week? We've pulled together some highlights.


The Australian Ballet's Triple Bill, Verve, Includes New Work by Company Dancer Alice Topp

Verve, a triple-bill program from The Australian Ballet running June 21-30 in Melbourne, will host revivals of works from resident choreographers Stephen Baynes and Tim Harbour, as well as a world premiere from company coryphée Alice Topp. Topp's Aurum is inspired by kintsugi, a Japanese art in which broken ceramics are mended using lacquer colored with silver or gold, so that the cracks are emphasized, instead of hidden. In Aurum, Topp applies that philosophy to the human ability to find beauty in vulnerability and imperfections. Completing the bill are Baynes's Constant Variants, which pairs neo-classical ballet with a Tchaikovsky score, and Harbour's Filigree and Shadow, a contemporary ballet featuring striking set and lighting design.

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