Ballet Stars

A little over a month ago Roberto Bolle gave his final bow with American Ballet Theatre, though thankfully he's not saying goodbye to ballet altogether. After 10 years dancing as a principal with ABT while guesting around the world and at his home company La Scala Ballet, he's now planning to focus on his own galas and projects in Italy. A frequent face in those galas is Polina Semionova, a principal guest with Staatsballett Berlin (and also a former principal with ABT). Semionova and Bolle have danced together for years, and while Bolle is renown for his partnerships with many ballerinas, the two make an exceptionally elegant duo. Here they dance Vladimir Burmeister's Black Swan Pas de Deux at the 2007 Tchaikovsky Gala in Milan.

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Ballet Stars

Last week American Ballet Theatre principal Gillian Murphy danced the iconic dual role of Odette/Odile as part of the company's spring season. In preparation for the performance she posted an adorable photo from her childhood on Instagram of her posing in costume as the Black Swan. Murphy also admits that as a young dancer she was determined to master the 32 fouettés, which Odile performs at the climax of the Black Swan pas de deux. Her performance in this clip from a 2005 performance, alongside former ABT principal Angel Corella as Siegfried, makes it obvious as to why this childhood dream role is now one of her signatures.

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Ballet Stars

Throughout the year, ballet companies are celebrating what would be Jerome Robbins's 100th birthday. One of America's most prolific and versatile dancemakers, Robbins is often remembered for his choreography for Broadway musicals like West Side Story and Fiddler on the Roof. However, his ballets, from Fancy Free to Afternoon of a Faun, are equally iconic. One of his best-loved pieces, among dancers and audiences alike, is Dances at a Gathering, a lyrical ballet inspired by Chopin's piano compositions. The hour-long piece features 10 dancers, all dressed in different colors, who move in and out of solos, duets and group dances; it's a staple in company repertories around the world.

In this clip of Dances at a Gathering from the early '90s, Paris Opéra Ballet étoiles Monique Loudières and Manuel Legris dance an intimate pas de deux for the woman in pink and man in brown. Loudières seems to float right through this dreamy duet, with Legris there to sweep her off her feet. With complete trust in her partner, Loudières falls deep into Legris's arms as he glides her across the stage in arabesque. Simple movements, like Loudières's fluttering bourreés at 1:17, create stunning moments. There is the sense of pure contentment in this pas deux, as though nothing else exists beyond the two dancers and the music. Happy #ThrowbackThursday!

Viral Videos
Mr. Jeremy FIsher, from Sir Frederick Ashton's "The Tales of Beatrix Potter."

Animal roles might not typically be what dancers dream of performing…but they're oh-so-fun to watch. You can't help falling under their spell (and perhaps aspiring to dance one someday). Here's a round-up of some of our favorite furry and feathered roles.

Bunny Hop

Run. Dance in a circle. Pretend to be a rabbit. It might sound like a creative movement combo, but don't let that fool you. The role of Peter Rabbit in Sir Frederick Ashton's The Tales of Beatrix Potter requires fierce technique—not to mention the ability to project personality while wearing an animal head and fur suit.


Four-Legged Interlude

Who do you turn to for halftime entertainment during a quartet of fairy variations? Dancing lizards, mice and a frog of course! This charming quintet of creatures light up the stage in David Bintley's Cinderella.

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Ballet Stars

December is here and the holiday season—better known to ballet dancers as Nutcracker season—is in full swing. To celebrate, we're throwing it back to Patricia Barker and Wade Walthall as Clara and the prince in Pacific Northwest Ballet's 1986 Nutcracker: The Motion Picture.

In this reimagining of the ballet by PNB founding artistic director Kent Stowell and famed writer and illustrator Maurice Sendak, young Clara (played by Vanessa Sharp) defeats the multi-headed mouse king all on her own with a well-aimed, enchanted pointe shoe. She then follows her Nutcracker inside the shell of the mouse king's armor and ventures into an icy cavern. There she is transformed into an older version of herself, played by Patricia Barker. Clara emerges from the cavern to find that her Nutcracker has transformed as well, from a toy caricature into a handsome, mustachioed prince.

Cautiously, Clara takes the prince's hand. That is when the real enchantment begins. At 2:20 Barker dives into a penché arabesque that is far more dazzling than any cinematic effect. Long-limbed and fresh-faced, Barker captures Clara's innocence even as an adult. She soars across the stage in Walthall's arms, her nightgown billowing in the cold night air. An endless swirl of movement, this pas de deux blurs the distinction between reality and fantasy for the audience. Although Stowell and Sendak's Nutcracker retired from PNB's repertory in 2014, this film ensures that their unique version of the classic can still be enjoyed year after year. Happy #ThrowbackThursday!
Ballet Stars

Summertime may be slipping away, but this clip from Sir Frederick Ashton's The Dream will transport you to a warm, enchanted summer evening. In this clip from an American Ballet Theater performance from 2004, Alessandra Ferri and Ethan Stiefel play Titania and Oberon, rulers of the woodland fairy realm from Shakespeare's A Midsummer Nights Dream. At once regal and whimsical, the proud lovers reunite and make peace after a quarrel in this final pas de deux.

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Ballet Careers
Communication in the studio leads to a dynamic performance onstage. Here, Danielle Brown with Ricardo Rhodes in Ricardo Graziano's Before Night Falls. Photo by Frank Atura, Courtesy Sarasota Ballet.

Do you have any tips for dealing with a stubborn partner? We both want to succeed, but we can't seem to communicate. —Jesse

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Ballet Stars

As any bunhead can attest, sometimes there is nothing more exhilarating than pure ballet technique in all its glory. Victor Gsovsky's famous plotless pas de deux, Grand Pas Classique, is a celebration of just that. In this clip from a 1993 gala, former Paris Opera Ballet étoiles Élisabeth Platel and Nicholas Le Riche's performance of the piece is pristine classical perfection. The dancers appear the epitome of elegance in crisp white costumes against a blue backdrop. From the moment the two touch hands and Platel whips into a double soutenu en dedans, you know you're in for a treat.


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In the ballet world, great partnerships are rare. The unique chemistry of a splendid ballerina and her attentive partner can hold audiences spellbound. Witnessing a pas de deux by extraordinarily simpatico dancers can fundamentally change the way one perceives ballet.

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