Ballet Stars
Pam Tanowitz in the studio at New York City Ballet. Erin Baiano, Courtesy NYCB.

Pam Tanowitz is on a roll. Though the choreographer long ago made a name for herself in the modern dance world, ballet companies are finally starting to take notice of her work. Earlier this month, Tanowitz created her first of two ballets for New York City Ballet; in June she'll debut her first outdoor site-specific piece, conceived of with NYCB principal Sara Mearns; and tonight marks the premiere of Gustave Le Grey No. 1 at the Kennedy Center's Ballet Across America festival, featuring dancers from Miami City Ballet and Dance Theatre of Harlem.

We caught up with Tanowitz just before she jetted off to London for a tour with her own company, Pam Tanowitz Dance, to hear about her relationship to ballet technique, her upcoming premiere and her advice for young dancers.

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News
Cylla von Tiedemann, Courtesy NBoC

Wonder what's going on in ballet this week? We've rounded up some highlights.

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News
Royal Winnipeg Ballet dancers Josh Reynolds, Katie Bonnell, Stephan Azulay and Yosuke Mino in Septime Webre's Wizard of Oz. David Cooper, Courtesy RWB.

Wonder what's going on in ballet this week? We've rounded up some highlights.

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News
Aspen Santa Fe Ballet will revive "An Evening with Pianist Joyce Yang" this weekend in Aspen. Photo by Rose Eichenbaum, Courtesy of ASFB.

Wonder what's going on in ballet this week? We've pulled together some highlights.


Vail Dance Festival Races to the Finish Line

This Sunday, Vail Dance Festival wraps up an eventful few weeks jam-packed with premieres, collaborations and guests. The final week of the festival has us looking forward to appearances from American Ballet Theatre, Ballet Hispánico and more.


Vail's NOW: Premieres Includes New Michelle Dorrance Work for ABT

On August 6, Vail's NOW: Premieres program features new works commissioned for the festival. Choreographers include New York City Ballet star Tiler Peck (making her festival choreographic debut), Lauren Lovette, Justin Peck and Claudia Schreier, who is creating a ballet on dancers from Ballet Hispánico. Tap maverick Michelle Dorrance is also choreographing a piece on American Ballet Theatre, the second of Dorrance's three works on the company this year. Watch some of the same choreographers' premieres at the 2017 edition of NOW below.

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Ballet Stars
Patricia Delgado. Photo by Gio Alma, Courtesy Delgado.

Patricia Delgado surprised her many fans last March when she announced that she'd be leaving Miami City Ballet after nearly 20 years to move to New York to be closer to her boyfriend, New York City Ballet soloist and resident choreographer Justin Peck. Though she took a risk stepping into the unknown without a sense of where her career would take her, it's paid off: this year we've seen Delgado pop up everywhere from Christopher Wheeldon's concert production of Brigadoon at New York City Center to dancing alongside Peck in a music video for the indie rock band The National.


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Everything Nutcracker
The candied fig and pear variation. Courtesy Reid and Harriet Design.

Last May we covered the new swimwear line that costume designers Reid Bartelme and Harriet Jung, otherwise known as Reid & Harriet Design, created based on Justin Peck costumes. The duo, known for their work with top companies including New York City Ballet, American Ballet Theatre and Miami City Ballet, are just as skilled at creating whimsical yet streamlined costumes as they are at rethinking the role that design plays in dance. "Designers are often seen as filling a need verse creating art," says Bartelme, noting that he and Jung often feel that they're at the very bottom of the production totem pole. This fall, the twosome have taken matters into their own hands. As Resident Fellows at New York University's Center for Ballet and the Arts, Bartelme and Jung are taking a different approach to creating a ballet: starting with the designs.

Bartelme and Jung equate this to the early 20th century model used by Sergei Diaghilev's Ballets Russes, where the composer, choreographer and designer had equal importance, contributing to the gesamtkunstwerk, or "total work of art." Productions by the Ballets Russes featured designs by Pablo Picasso, Coco Chanel and Henri Matisse.

Last week Bartelme and Jung presented their work in an informal seminar at CBA. They chose to work with The Nutcrackerseasonally appropriate, yes, but also the country's most-performed ballet. In addition to the role of designer and director, Jung and Bartelme acted as dramaturges for their production, delving deep into the storied ballet's history from page to stage. Rather than look at the way that companies interpret The Nutcracker today, they looked to the original story by E.T.A. Hoffmann and the later interpretation by Alexandre Dumas for inspiration. The result? A Nutcracker unlike any we've ever seen.

Courtesy Reid and Harriet Design.

Jung and Bartelme's Nutcracker is set in the 1950s. Why? It has a clear aesthetic as well as strong conservative conventions for Marie to rebel against in the second act. First off we see Marie's family at their Christmas gathering. Smaller than the conventional Nutcracker party scene, this intimate celebration aligns more closely to Hoffmann's tale. Marie is set downstage in a simple blue dress, which the designers compare to the blue dresses worn by Alice in Alice in Wonderland and Dorothy in The Wizard of Oz—two other young, storybook women who feel confined by their respective societies and so escape to magical lands.

Other details to note are the gilded owl clock on the wall, a detail included in Hoffmann's story, as well as the 1950s style cherry jello mold on the center of the table which will soon open up to expose a world within, Bartelme and Jung's replacement for the classic dollhouse.


Courtesy Reid and Harriet Design.

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