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From left: Allegra Kent, Kay Mazzo, Gloria Govrin, Merrill Ashley and Wendy Whelan. Eduard Patino, Courtesy NDI.

On Monday evening, four 20th century New York City Ballet stars joined Wendy Whelan in conversation for an event titled Balanchine's Ballerinas hosted by National Dance Institute, the dance education organization that former NYCB dancer Jacques d'Amboise founded in 1976. D'Amboise introduced the four ballerinas taking the stage as dancers who "graced Balanchine and were graced by him." Hearing the ensuing conversation between Wendy Whelan and Allegra Kent, Kay Mazzo, Gloria Govrin and Merrill Ashley proved just that; the sense of inspiration that George Balanchine gleaned from his muses, and the deep appreciation he had for each individual's unique traits.

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Ballet Stars
Jacques d'Amboise and Adrian Danchig-Waring in conversation at the National Dance Institute. Photo Courtesy NDI.

"Jerry, throughout his life, wanted a world where races, cultures and people came together without conflict and hate and anger, but lovingly, to make a community." These words were spoken earlier this week by Jacques d'Amboise at an event titled Upper West Side Story: A Celebration of Jerome Robbins, hosted by National Dance Institute, which d'Amboise founded in 1976 to provide free arts education to children in New York City and beyond. D'Amboise then reiterated his point by quietly singing the famous refrain from West Side Story, which Robbins choreographed and directed for both screen and stage: "There's a place for us."

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Viral Videos
D'Amboise in the 1956 film "Carousel." Photo courtesy DM Archives.

Earlier this week, the Broadway revival of Roger and Hammerstein's Carousel, choreographed by Justin Peck and featuring New York City Ballet dancers Amar Ramasar and Brittany Pollack, was nominated for 11 Tony Awards, including Best Choreography.

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Ballet Stars
Edward Villella, Arthur Mitchell and Jacques d'Amboise. Photo by Noam Galai/Getty Images, Courtesy NDI.

On Monday night, the National Dance Institute—the arts education organization founded by former New York City Ballet star Jacques d'Amboise—presented Balanchine's Guys, a lively discussion with d'Amboise and two other NYCB greats: Arthur Mitchell and Edward Villella. Many of their former NYCB colleagues, including Patricia McBride and Suki Schorer, were in the audience, and while the evening was sold out, NDI live-streamed part of the conversation. We know many of you weren't able to catch it, so we've included the video from NDI's Facebook page below. (There's a bit of a sound delay, but it's well worth the watch!)


All three shared priceless anecdotes of working with Balanchine. While NDI wasn't able to stream the whole discussion and performance, here are a few highlights from after the camera stopped rolling:

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Ballet Stars
Violette Verdy coaches PNB principal Elizabeth Murphy in "Emeralds." Photo by Lindsay Thomas, courtesy PNB.

This year marks the 50th anniversary of George Balanchine's Jewels, and companies around the world are paying homage. While last summer's Lincoln Center Festival collaboration with New York City Ballet, Paris Opéra Ballet and Bolshoi Ballet was all glamour and excitement, Pacific Northwest Ballet is taking a reverential look back in advance of its opening performances next week.

In 2014, PNB artistic director Peter Boal invited four stars of Balanchine's original 1967 cast—Violette Verdy, Mimi Paul, Edward Villella and Jacques d'Amboise—to coach the company in their signature roles. And, thank heavens, they captured it all on film. This 20-minute promotional documentary offers priceless footage of them in rehearsals, interviews and lecture demonstrations, offering fascinating insights into Balanchine's creative process and original intentions.

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