Career
Former New York City Ballet soloist Savannah Lowery, here with Evan Swensen, came out of retirement to perform as the Sugar Plum Fairy in Westside School of Ballet's Nutcracker. Photo by Todd Lechtick, courtesy Lowerey.

The holiday season is a time when dusty ornaments and wreaths get trotted out of their boxes for their annual moment to shine. For Jennifer Goodman, there's another item she looks forward to pulling out of the back of her closet: pointe shoes.

Goodman, 45, retired from full-time company life over 10 years ago. She kept performing here and there until 2015, when she transitioned to teaching yoga and ballet. Yet she still gets back onstage for Nutcracker.

"I've said 'one more time' for so many years now," says Goodman. "But my body is still capable, it's held up, so I just keep coming back."

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News
Jennifer Garner. Courtesy Conversations on Dance.

Ever since 2017, Jennifer Garner has been proving herself as ballet's biggest fangirl. From her incredible cameo backstage at American Ballet Theatre's Nutcracker to her insistence that she is the third Cindy, we've been here for all of it. This week, we finally got to the bottom of Garner's ballet obsession, thanks to the podcast Conversations on Dance.

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Ballet dancers are nothing if not enterprising, and Rebecca King is certainly one of the most ambitious. The Miami City Ballet corps member has long been something of a social media maven—she helped coordinate an Instagram campaign for MCB and even started her own social media management company. She's also contributed regularly to her popular blog, Tendus Under a Palm Tree, since 2010. This week, King and fellow MCB corps member Michael Sean Breeden have started a new media venture: podcasting. Their self-produced show, “Conversations on Dance" (available on King's blog and on iTunes), will include discussions on training, technique and choreography, as well as interviews with other professional dancers. This week's timely topic: summer intensives.

King and Breeden join an increasing number of dancers taking to the virtual airwaves, including MCB soloist Lauren Fadeley, whose show, “ReDiscovering the Dream," chronicles her recent career move and new life in Miami. American Ballet Theatre principal James Whiteside, New York City Ballet principal Megan Fairchild and advice guru Kathryn Morgan have also started hosting their own podcasts on Premier Dance Network. So get your headphones ready. Dancers on dancing? Yes, please!

O'Connell and Sisk performing William Forsythe's In the middle, somewhat elevated. Photo by Luke Isley, Courtesy Ballet West.

This article originally appeared in the February/March 2016 issue of Pointe.

Murphy and Stiefel. Ogden and Côté. Osipova and Polunin. Ballet inspires as many thrilling partnerships offstage as on. Company romances are so common, in fact, you might say they're a perk of the job. “You're with each other all day—it happens a lot," says San Francisco Ballet soloist Lauren Strongin, who is married to SFB principal Joseph Walsh. Chemistry flourishes in the hothouse of a rehearsal studio, and choreographed embraces have a way of breaking the ice—who could resist? In celebration of Valentine's Day, four company couples share the ups and downs of love at the office, and some of their sweetest moments, with Pointe.


Sisk and O'Connell.

Ballet West principal Beckanne Sisk and soloist Chase O'Connell

Ballet romances typically develop under the watchful eyes of other company members, but Beckanne Sisk and Chase O'Connell's also played out on TV. Filmed two months into their relationship, the 2013 season of “Breaking Pointe," a reality show about life at Ballet West, exposed their tribulations to the world: Would he get into the main company from Ballet West II? Could they last if he didn't? “It was really awkward," recalls Sisk, now 23. “Awful," says O'Connell, 22. “The show was pushing us to talk about this situation that we didn't want to discuss yet."

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