Photographed by Rachel Papo.
Choreographer Alexei Ratmansky has said that had he not come across the work of Mark Ryden, he might never have made his new ballet, Whipped Cream. Ratmansky, artist in residence at American Ballet Theatre, had been mulling the project for decades. He loved the music and the whimsical storyline imagined by composer Richard Strauss, about a boy who overindulges on whipped cream and falls ill and, in his delirium, dreams about dancing cakes and candies. Without a convincingly decadent set, though, he couldn't imagine how it would work. "I think the music demands richness onstage," says Ratmansky. He found what he was looking for in the visual world of painter Mark Ryden.
Ryden is known for detailed, dreamlike, flawlessly rendered and yet slightly unsettling canvases. Giant eyes peek out of tree stumps, and doll-like children mingle with skeletons or ride carriages pulled by centipedes. Though Ryden had never before worked in theater, his art is inherently theatrical.