Summer Study
Patrick Armand leads class at San Francisco Ballet School's summer session. Chris hardy, Courtesy SFB.

Ariel McCarty's training was predominantly classical until, at 15, she auditioned for Boston Ballet's summer intensive. The audition class was in more of a Balanchine style, and the teacher corrected her right away. "She wanted me to accent the arm opening out quickly in my pliés, rather than through the whole phrase," says McCarty, now a Colorado Ballet apprentice. She could have panicked, but, instead, she met the correction with a smile. "I tried it, and it felt not quite right. But the instructor said, 'That's the idea.' " After that, McCarty was able to let go of trying to be perfect in an unfamiliar style. "It opened me to a new idea of musicality. It's exciting to try new things."

The stress of summer intensive auditions is real: You're in a strange place, taking a strange class, and pressure is high to show yourself at your best. But, as McCarty discovered, shaking off a bit of that pressure might be the best way to have a good audition. Two school directors agree, and explain why you should leave behind these common audition worries.

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Training
Torija coaches BalletMet Dance Academy summer intensive student Polina Myers. Photos by Jennifer Zmuda, Courtesy BalletMet.

It's the complex transfer of weight that makes piqué turns en dehors—commonly called "step-overs"—so tricky. Maria Torija, director of the BalletMet Dance Academy, shares her ideas on how to successfully navigate these inevitable variation-ending turns.

What's in a name: " 'Step-over' is the American way," Maria Torija explains. But the turn has many names. "Vaganova calls it 'tour dégagé.' 'Lame-duck'—that's the English! Maybe we should go to the French. The Paris Opéra calls it 'tour piqué en dehors.' "

Walk the line: Whether you tombé front or side, Torija stresses the importance of precision in consecutive piqués en dehors. "Hold the passé until you finish the turn, and then tombé right in the path you're going, like on a tightrope." The leg doesn't extend to the front or side. That's a different step. "Tombé means you fall into it. It's a very quick motion."

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