This is Pointe's August/September 2014 Cover Story. You can subscribe to the magazine here.
A few months ago, Tiler Peck turned 25. It's an age when most ballet dancers are earning their first breakout roles, gradually discovering who they are onstage.
Not Peck. She followed an uncommonly accelerated path to the spotlight, joining New York City Ballet as an apprentice in 2004 at age 15 and becoming a principal in 2009. An enormously versatile dancer with prodigious technical gifts, she already has an enviable ballet resumé. She knows exactly who she is on NYCB's stage.
Yet Peck has an appetite for challenges that has led her outside the ballet world. Her growing list of musical theater credits isn't a surprise to longtime fans: Peck started out in jazz and commercial work, earning a role in director/choreographer Susan Stroman's production of The Music Man on Broadway when she was just 11. She and her husband, fellow NYCB principal Robert Fairchild, had a well-received turn in the New York Philharmonic's production of Rodgers and Hammerstein's Carousel last year, which was later broadcast on PBS.
In October, Peck will take on her biggest theatrical challenge to date: She's set to dance (and sing and act) the title role in the new musical Little Dancer at the Kennedy Center. The project reunites her with Stroman, who custom-tailored Little Dancer—the story of the student who inspired Edgar Degas' iconic sculpture—to Peck. “I was envisioning Tiler even as we were writing it," Stroman says. “From the earliest stages, it was always her in my mind."