“There's always boxes of color to help with that," says Kansas City Ballet artistic director Devon Carney when I ask him if the long hours in the studio are turning his hair gray. It's November, and he's creating the company's new $2 million Nutcracker production. “I love it," he says. “There's nothing like making something that will influence kids in their development as dancers."
For Carney, there was a lot to love about the situation he stepped into in 2013 as only the fourth artistic director in Kansas City Ballet's 59-year history. (Carney's predecessor, William Whitener, retired after 17 years to work as an independent choreographer, teacher and arts advocate.) The company had recently moved into a brand-new, state-of-the-art facility, had a new performance home at the Kauffman Center for the Performing Arts and was free of debt. “It was pretty spectacular," says Carney.