Ballet Stars
Karin von Aroldingen and Mikhail Baryshnikov in "Prodigal Son." Photo by Costas, Courtesy Dance Magazine Archives.

"My whole mission in life is to keep Balanchine's work alive," says former New York City Ballet dancer Karin von Aroldingen in Frances Mason's I Remember Balanchine, a collection of interviews by George Balanchine's friends and colleagues. Her words feel especially potent now—and never more true. On Friday, January 5, news came to light that the German-born dancer, teacher, NYCB ballet master and longtime stager for the Balanchine Trust had died at age 76.


Born in East Germany in 1941, von Aroldingen joined Frankfurt Ballet as a first soloist before George Balanchine invited her to join NYCB in 1962. Trained in the Russian method, she had to adjust her technique to fit NYCB's fast, streamlined style. "It took me years to unwind myself, to be good," she says in Mason's book. She eventually rose to principal dancer in 1972. Her dancing was strong, assertive and passionate. During her 22-year career at NYCB, Balanchine created 20 roles for her, including Kammermusik No. 2, Union Jack, Vienna Waltzes, Who Cares?, Robert Schumann's Davidsbündlertanze and her most well-known, Stravinsky Violin Concerto. (Who hasn't marveled at her elastic backbends in the 1972 "Dance in America" broadcast above?)

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Ballet Stars
Krohn in Robbins' "Dancers at a Gathering." Photo by Paul Kolnik, Courtesy NYCB.

New York City Ballet principal dancer Rebecca Krohn will take her final bow with the company this Saturday night. Krohn joined NYCB as an apprentice in the fall of 1998 and slowly rose through the ranks, becoming a principal in 2012. Though Krohn is best known for her flawless execution of classic Balanchine leotard ballets, her repertoire is vast, spanning Jerome Robbins to Justin Peck. After dancing Stravinsky Violin Concerto with Amar Ramasar on Saturday, Krohn will return to the NYCB studios on Monday in a new role: ballet master. We had the chance to talk to the thoughtful and eloquent dancer about her time with the company and goals for the future.

Was New York City Ballet always your dream company?

As soon as I knew I wanted to be a professional dancer, I knew that I wanted to be in New York City Ballet. I moved to New York when I was 14 to train at the School of American Ballet, and I got my apprenticeship with the company when I was 17, so it was really a dream come true.


Krohn and Adrian Danchig-Waring in Balanchine's Stravinsky Violin Concerto. Video Courtesy NYCB.

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