While dancing excerpts of August Bournonville's Napoli this summer at the Massachusetts-based Jacob's Pillow Dance Festival, the artists of the Royal Danish Ballet were in perfect sync. The dancers exuded pure cheer, from their buoyant, clear footwork to the precise angle of their épaulement. This seemed fitting for a national company where most members train in the Danish style from age 7 and feed in from the school. Yet three of the principals onstage—Amy Watson, J'aime Crandall and Holly Jean Dorger—are in fact American.
San Francisco Ballet in class during World Ballet Day 2016. Photo Courtesy SFB.
Here at Pointe, every day feels like World Ballet Day, though the official 2018 event took place on Tuesday. While WBD is a thrill for any bunhead, it can also be overwhelming. How are you supposed to sit in front of your computer all day when you have class and rehearsal and work and a life? We get it, and we're here to help.
To give you a chance to catch up, we've rounded up WBD videos from 26 companies. So grab some popcorn, a backlog of pointe shoes to sew, and settle in. If you start watching now, you might just be done in time for WBD 2019.
Finding your pointe shoe match isn't the only component that affects your dancing. Smaller, but arguably just as mighty, is the padding that goes inside. Here's what four pros have found works for them.
Dorger in Royal Danish Ballet's production of Giselle (photo by Costin Radu, courtesy Royal Danish Ballet)
When Holly Dorger arrived in Copenhagen to join the Royal Danish Ballet after graduating from the School of American Ballet, she was shocked by the unfamiliar. “We brought home cat food thinking it was canned tuna," she laughs, recollecting her first weeks among new surroundings. Nine years later, the principal dancer calls Copenhagen home, crediting Denmark and artistic director Nikolaj Hübbe for her success.
European dance companies typically offer secure contracts, better salaries and a varied repertoire. Yet for American dancers, understanding a new culture, adjusting to different company dynamics and getting used to European contemporary work can be challenging. Below, dancers from four European companies weigh in on what they've learned from moving abroad.
Shelby Williams. Photo Courtesy Royal Ballet of Flanders.