Imagine this scenario: Hilarion likes Giselle, but she swipes right on Albrecht, and is smitten. Little does she know, Albrecht is already involved with Bathilde. When Giselle finds out, she livestreams her downward spiral (perhaps her hair even comes down in the midst of her heartbreak?), and enters a realm of women who've similarly been ghosted, or otherwise spurned by online relationships.
This is the basic premise of Joshua Beamish's new @giselle. Created for his troupe Joshua Beamish/MOVETHECOMPANY, the ballet will have its world premiere September 5-7 at the Vancouver Playhouse in British Columbia. For @giselle, which stars American Ballet Theatre soloist Catherine Hurlin and National Ballet of Canada principal Harrison James, Beamish has dug deep into the plot of the original ballet, adapting it for the digital age and showing the pitfalls of changing relationship norms.
We touched base with Beamish to hear all about this new project, from his cleverly modern Wilis to his favorite parts of Adolphe Adam's original score.