You're celebrating 25 years with the National Ballet of Canada. What makes it home?
I wanted to join the National Ballet because it had one of the best repertoires in the world. We do all the staples of the classical canon and yet get to work with amazing creators like Jirˇí Kylián, William Forsythe, Glen Tetley and all the iconic choreographers of the 21st century. I still feel that way.
What have you learned that could be helpful for young professionals?
Look around and really watch the people around you. I can't tell you how important that was for me, to have so many great dancers to learn from. You can absorb a lot by watching, you don't always have to do.
Your tenure has spanned three directors. Do you have tips for surviving directorial changeover?