Joffrey Ballet dancers Christine Rocas and Dylan Gutierrez in "Giselle." Photo Courtesy Spring to Dance Festival.
For the first time since its inception 11 years ago, Dance St. Louis' annual Emerson Spring to Dance Festival — May 25 and 26 at the University of Missouri–St. Louis' Touhill Performing Arts Center — will be curated by someone other than festival founder Michael Utoff. That job fell to newly hired programming consultant Terence Marling.
Hailed as "arguably the best dance buffet in the Midwest" by the Chicago Tribune, the popular festival is known for championing lesser-known regional dance artists and companies. It will retain that focus under Marling, along with representation by more familiar names such as Houston Ballet, Joffrey Ballet and Marling's former company, Hubbard Street Dance Chicago.
Big news in Boise:Ballet Idaho has announced that Garrett Anderson will succeed Peter Anastos as the company's next artistic director, starting in July. Anderson, who had an extensive dance career as a soloist with San Francisco Ballet and Royal Ballet of Flanders, and later danced with Hubbard Street Dance Chicago, has a special connection with Ballet Idaho's home city. He performed with the Trey McIntyre Project in 2011 and later as a guest artist with Boise-based LED, a music, film and dance collaborative. Anderson has also served as the chair of the Dance Department at New Mexico School for the Arts in Santa Fe.
Members of Ballet Idaho in "A Midsummer Night's Dream." Photo by Mike Reid, Courtesy ballet Idaho.
The Bay Area dance scene continues to grow, and San Francisco Ballet soloist James Sofranko has added his voice to the mix. His new company, SFDanceworks, was founded in 2014 and presents its debut season this week at the ODC Theater in San Francisco.
The U.S. has a surprising lack of contemporary dance companies that perform a broad repertoire—Hubbard Street Dance Chicago, and L.A.'s BODYTRAFFIC and LA Dance Project are three, and Cedar Lake Contemporary Ballet was another. Sofranko's troupe looks to become one of those few, with a mixed rep of new work, emerging choreographers and established names.