Career
Rosenfield in Dances Patrelle's Yorkville Nutcracker. Photo by Rosalie O'Connor, Courtesy Rosenfield.

Shoshana Ronsenfield's career has not followed a straight path. In a surprising move, the born-and-raised New Yorker left a burgeoning career at New York City Ballet in 2012 to study economics at Barnard College. Upon graduating, Rosenfield spent six months freelancing with companies including New Chamber Ballet and Tom Gold Dance before spending two years working in global management at Goldman Sachs (and dancing on the side).

Now Rosenfield is on to a new chapter: She's just completed a boot camp in computer coding, and is currently doing a coding teaching fellowship. But she's still dancing. This weekend, Rosenfield will appear in Tom Gold Dance's fall season at Florence Gould Hall. We caught up with Rosenfield to hear all about how she's balanced college and career and how she's learned that it is possible to do it all.

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Profiles
Adiarys Almeida in Don Quixote. Courtesy Almeida.

How was training at the Cuban National Ballet School different from what you see in the U.S.?
It was free education, so it was very hard to get in, and there was a cut every year. We had academics alongside art, and we had to take a lot of different things: modern, character, ballroom, choreography composition, history of dance, music, French, makeup—everything you need for this profession.

Why did you defect?
I always wanted to have an international career. But also, I was 19, and I had a boyfriend. We were dating in Cuba when he won the lottery visa to come to the United States. When I was on tour here with the National Ballet he came to see me and I thought, I'm in love! So I stayed with him.

Has the political opening of Cuba affected you?
Before, if you defected, you had to wait five years to go back. That was pretty rough. Things have changed so much. It's about time; we're neighbors! Last year I was able to go back and perform at the Grand Theater in Havana—with my family, my teachers and my friends there.

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