Bolshoi fans, listen up: On Sunday, January 26, the company will broadcast Alexei Ratmansky's new production of Giselle—captured from a live performance in Moscow earlier that day—to over 450 North American movie theaters as part of its Bolshoi Ballet in Cinema season. Olga Smirnova and Artemy Belyakov will star as Giselle and Albrecht, along with Angelina Vlashinets as Myrtha and Denis Savin as Hans, the Gatekeeper.
If you loved Christopher Wheeldon's An American in Paris on Broadway, you can now see the 1951 Oscar-winning movie it's based on in all its Technicolor glory. Fathom Events will present MGM's An American in Paris, starring Gene Kelly and French ballerina Leslie Caron, and with music by George and Ira Gershwin, in select theaters nationwide January 19 and 22.
If you're making your weekend plans, you may want to clear your calendar for Sunday and check your local movie listings. On May 19, Fathom Events, in partnership with Pathé Live and By Experience, is broadcasting the Bolshoi Ballet's performance of Carmen Suite and Petrushka throughout cinemas nationwide. The program will be captured live the same day from Moscow, and feature some of the Bolshoi's biggest stars.
We've been seeing a lot of Sergei Polunin on the big screen lately, between last fall's Murder on the Orient Express and the recent spy-thriller Red Sparrow. But on Sunday, April 8, we'll have a chance to see him in full dancer mode again—alongside Bolshoi ballerina Svetlana Zakharova, no less! The pair will headline in Giselle, part of this season's Bolshoi Ballet in Cinema Series. Fathom Events, By Experience and Pathé Live will partner to broadcast the 2015 Bolshoi performance, which featured Polunin as a guest artist, to movie theaters nationwide. It's a rare opportunity to see these two ballet mega-stars dancing together. Click here to find theaters, showtimes and tickets near you. Can't wait 'til Sunday? Check out the sneak preview below.
If you haven't checked your local movie listings yet for this weekend, hop to it. The Bolshoi Ballet in Cinema series and Fathom Events is broadcasting a performance of Jean-Christophe Maillot's The Taming of the Shrew to theaters nationwide on Sunday, November 19. (To see if it's playing near you and to purchase tickets, click here.) While the rest of the Bolshoi's cinema season features 19th- and 20th-century classics, The Taming of the Shrew gives audiences a chance to see the revered Moscow company in a thoroughly modern, 21st-century take on Shakespeare's famous play.
Aside from a limited run in New York City this July, American audiences have had little exposure to Maillot's 2014 production. To learn more, check out these two exclusive, behind-the-scenes webisodes below. Principal dancer Ekaterina Krysanova, who stars as the hotheaded Katharina, gives an intimate play-by-play of two major scenes in Act I. The first is her fiery rejection of three potential suitors (who all would prefer to marry Katharina's younger sister Bianca).
The second scene breaks down Katharina's first encounter with Petruchio (danced by the larger-than-life Vladislav Lantritov), the only man who seems to be able to challenge her. Here, too, we see the shrew's heart start to soften. (Don't miss her time-stopping attitude turn at 4:27.)
The Bolshoi Ballet in Cinema Series continues through June; for more details on upcoming screenings, click here.
On Sunday, March 19, Fathom Events will high-beam the Bolshoi Ballet to movie theaters around the world—and while we tend to associate the Bolshoi with 19th century classics, this time we’ll see their more versatile side. “A Contemporary Evening,” recorded from a performance earlier that day in Moscow, includes two ballets originally created on New York City Ballet: Jerome Robbins’ The Cage (about a female tribe of man-eating insects) and Alexei Ratmansky’s Russian Seasons. But it won’t be completely devoid of tutus—Harald Lander’s Etudes rounds out the program, with plenty of bravura.
This will be the first time the Bolshoi has tackled The Cage, staged by NYCB ballet master Jean-Pierre Frohlich. (He recently talked to the New York Times about the challenges of staging this hyper-stylized ballet on the Russian company.) But with Ekaterina Krysanova as the Novice, it’s bound to be a thrilling performance. She’s not the only major Bolshoi star featured – casting for the entire program is listed below. To find theaters and show times near you, go to fathomevents.com.
The Novice: Ekaterina Krysanova
The Queen: Yanina Parienko
First Intruder: Nikita Kapustin
Second Intruder: Alexander Vodopetov
Ballerina: Olga Smirnova
Principal Dancers: Semyon Chudin, Artem Ovcharenko
Couple in Yellow/White: Yulia Stepanova, Vladislav Lantratov
Couple in Red: Ekaterina Krysanova, Denis Savin
Couple in Green: Anna Nikulina, Anton Savichev
Couple in Blue: Anna Okuneva, Dmitry Dorokhov
Couple in Violet: Victoria Litvinova, Artur Mkrtchyan
Couple in Claret Red: Victoria Yakushev, Mikhail Kochan
Mark your calendars! This Sunday, the Bolshoi Ballet, in partnership with Fathom Events, kicks off its 2016-17 Bolshoi Ballet in Cinema Series. Between now and April, seven Bolshoi productions will be high-beamed to movie theaters around the world (400 in the U.S. alone), giving ballet lovers a chance to see the legendary company on the big screen.
In addition to standard classics like The Nutcracker, The Sleeping Beauty and Swan Lake, this season is book-ended by two uniquely Russian ballets not performed by other companies, starting with Yuri Grigorovich's The Golden Age on October 16. Set in a cabaret during the Roaring 20s, The Golden Age is a Soviet love story between Boris, a young fisherman, and Rita, a dancer with connections to a local gangster. Yuri Possokhov's A Hero of Our Time, based on the great Russian literary classic of the same name, closes out the season in April.
In an exclusive interview, Pointe spoke with Bolshoi prima ballerina Svetlana Zakharova about what it's like to perform for the camera.
San Francisco Ballet principals Maria Kochetkova and Davit Karapetyan in Romeo & Juliet, Courtesy The Anderson Group
If you’ve been dying to see San Francisco Ballet but, like me, live nowhere near the Bay Area, be sure to mark your calendars for Thursday, September 24 at 7:00 pm. The company’s production of Helgi Tomasson’s Romeo & Juliet, starring Maria Kochetkova and Davit Karapetyan as Shakespeare’s doomed young lovers, will be shown at over 600 movie theaters nationwide as part of the “Lincoln Center at the Movies: Great American Dance” cinema series. Hosted by Kelly Ripa and Michael Strahan of “LIVE with Kelly and Michael,” the screening includes fun extras such as interviews with the principal dancers and behind-the-scenes production footage.
San Francisco Ballet is the first of four American dance companies that Lincoln Center at the Movies is screening this fall. Be sure to catch Alvin Ailey American Dance Theater on October 22, Ballet Hispanico on November 12, and New York City Ballet in George Balanchine's The Nutcracker on December 5 and 10. For tickets and a full list of theater locations, visit fathomevents.com. In the meantime, enjoy the sneak preview of the balcony scene here: SFB R&J video, and the Lincoln Center at the Movies season trailer below:
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This June, The Royal Ballet is making a long-awaited tour to Washington, DC, Chicago and New York City. But on February 17, ballet lovers across the U.S. can see the company in movie theaters for a one-night-only screening of Christopher Wheeldon’s A Winter’s Tale, which premiered last year. Based on William Shakespeare’s play, the ballet follows the jealous King Leontes (played with emotional tour de force by Edward Watson), who mistakenly suspects that his pregnant wife Hermione (the sublime Lauren Cuthbertson) is having an affair with his best friend, King Polixnes (Federico Bonelli). Sarah Lamb, Zenaida Yanowsky and Steven McRae complete the all-star cast.
Shakespeare’s play is famously complicated. But a preview screening of the film in NYC on Wednesday showed that Wheeldon and his team of collaborators have smartly packaged its intricate narrative with dramatic clarity and contemporary freshness. But what’s most exciting is seeing a full-length story ballet that’s never been attempted before—and the dancers’ performances are stellar. While nothing beats live theater, the film translates beautifully on the big screen and includes behind-the-scenes footage with Wheeldon, cast members and composer Joby Talbot. Check out the sneak preview below; for tickets and theater locations near you, click here.