Just for fun
Via @lizzo on Twitter

On August 20, pop goddess Lizzo tweeted, "Someone do a ballet routine to truth hurts pls," referring to the anthem that's been top on everyone's playlists this summer. Lizzo might not know it yet, but ballet dancers are not known for shying away from a challenge. In the past two days, the internet has exploded with responses, with dancers like Houston Ballet's Harper Watters and American Ballet Theatre's Erica Lall tagging the singer in submissions.

Below are a few of our favorites so far, but we're guessing that this is just the beginning. Ballet world, consider yourselves officially challenged! (Use #LizzoBalletChallenge so we know what you're up to.)

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Jin Zhang, Erica Lall and Betsy McBride in Swan Lake. Rosalie O'Connor, Courtesy American Ballet Theatre

Erica Lall, a member of American Ballet Theatre's corps de ballet, accomplished an impressive feat this spring: she danced in every single one of ABT's spring Metropolitan Opera House season performances. That's 64 shows—actually, as Lall notes, "it would technically be 69 shows at the Met," since she performed in all of the ABTKids performances as well.

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Ballet Stars
Arthur Mitchell. Photo by Eileen Barroso, Courtesy Columbia University.

When American Ballet Theatre soloist Calvin Royal III and New York City Ballet soloist Unity Phelan burst into the opening diagonal of George Balanchine's Agon on Monday, they had reason to be nervous. Sitting in the downstage corner of Columbia University's Miller Theater—precisely where they'd need to spot their pencil turns—was Arthur Mitchell, the Dance Theater of Harlem co-founder and longtime director who originated the male role at NYCB in 1957. It was a rare and exciting moment of the future meeting the past. (Royal later described the experience as "surreal.") The two dancers, who had been coached by former NYCB principal Heather Watts, gave an electric and intense performance. Afterwards, Mitchell turned to the audience from his blue leather chair and smiled. "I would say it's in good hands."


Royal III and Phelan performing "Agon" during the Vail Dance Festival. Photo by Erin Baiano, Courtesy Vail Dance Festival.

Their appearance was part of "An Informal Performance on the Art of Dance," an evening directed by Mitchell to celebrate both his legacy and the Arthur Mitchell archive at Columbia's Rare Book and Manuscript Library. (The first exhibition featuring Mitchell's donated archives will be on display at Columbia's Wallach Art Gallery January 13–March 11, 2018.) A slew of guest artists came together for the program, which included works by Balanchine, Alvin Ailey and Mitchell himself (including his South African Suite and Rythmetron).

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Gisele Bethea just received an apprentice contract. She's pictured here at the 2014 USA IBC. Photo by Jim Lafferty for Pointe.

American Ballet Theatre is starting 2016 with a bang, with a slew of new leadership announcements and exciting promotions among the lower ranks. Yesterday, ABT officially named Kara Medoff Barnett as its new executive director—and while she's only 37, the company looks like it will be in very skilled hands. Barnett, who grew up studying ballet before college, not only has a Harvard MBA, but she also won a 2003 Tony award as associate producer of Broadway's A Long Day's Journey Into Night. She joins ABT after serving as managing director of Lincoln Center International.

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