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Natalie Frank's drawings show another side of the Brothers Grimm's stories in Ballet Austin's new work. Michael Thad Carter, Courtesy Ballet Austin.

Wonder what's going on in ballet this week? We've rounded up some highlights.

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Nitting (in orange tights) in The Wizard of Oz, her first performance with Kansas City Ballet. Bruce Pruitt & East Market Studios, Courtesy KCB.

Courtney Nitting started her first season with Kansas City Ballet last fall with the normal rituals of company life: headshots for the website, ordering her customized pointe shoes and claiming a spot at the barre. Each of these simple things was a "pinch me" moment she thought might never come.

"I still can't believe it," says Nitting. "I'm in a company for real."

It took Nitting, 21, more than three years of auditions to get a company contract. Her talent and passion brought her close to her dreams several times: Prestigious companies expressed interest but not job offers, and a year in a second company didn't produce a contract. Still, she never stopped trying, enduring about 200 auditions, with $9,000 in related expenses.

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