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Aarón Sanz, Claire Kretzschmar and Clara Miller with Kretzschmar's grandfather, Leo Theonnes. Courtesy Kretzschmar.

New York City Ballet soloist Claire Kretzschmar has had the chance to perform just about everywhere: New York, Los Angeles, Paris, Shanghai, you name it. But one of her most inspiring performance opportunities came a little less than a month ago, dancing with her friends on the wooden floor of a repurposed exercise room in front of 80 captivated residents at the Village Green Retirement Campus in Seattle.

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New York City Ballet soloist Claire Kretzschmar as the Sugarplum Fairy in Balanchine's "The Nutcracker." Photo by Paul Kolnik, Courtesy NYCB.

What bunhead hasn't dreamed of dancing Clara in Nutcracker? But with so many young dancers aspiring to the role, casting disappointments are inevitable each year. Today, three professionals share their childhood Clara casting disappointments and what helped them move on and learn from the experience. We hope their stories will encourage you this Nutcracker season!

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Joseph Gordon, pictured here in George Balanchine's Who Cares?, became New York City Ballet's newest principal this weekend. Photo by Paul Kolnik, Courtesy NYCB.

On October 13, the evening before the close of New York City Ballet's fall season and longtime principal Joaquin De Luz's retirement performance, Jonathan Stafford, the leader of the company's interim artistic team, promoted seven company dancers: six men and one woman. In addition to De Luz, NYCB lost three other principal men this fall. Chase Finlay, Zachary Catazaro and Amar Ramasar were fired last month in the midst of a scandal surrounding the sharing of sexually explicit communications. With principal Adrian Danchig-Waring out of commission while recovering from a broken foot, the company has been in need of male dancers to bolster its upper ranks.

Joseph Gordon has been promoted to principal, and Daniel Applebaum, Harrison Coll, Claire Kretzschmar, Aaron Sanz, Sebastian Villarini-Velez and Peter Walker have been promoted to soloist. All seven made a number of debuts throughout the year and shone in featured roles; we've rounded up some of their recent accomplishments below.

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Ballet Stars
Paris Opéra Ballet's Letizia Galloni. Photo by Anne Ray, Courtesy POB.

Every corps de ballet has a few bright standouts. Here are 10 young dancers on the rise.


Norika Matsuyama in "Don Quixote." Photo by Erik Tomasson, Courtesy SFB.

Norika Matsuyama

San Francisco Ballet

Norika Matsuyama recently finished her second year in San Francisco Ballet's corps, but her repertoire already looks like a veteran soloist's: Cupid in Don Quixote, a solo Wili and Shade, Balanchine's Theme and Variations and Forsythe's Vertiginous Thrill of Exactitude. She capped off the 2016 season with her debut as Olga in John Cranko's Onegin, one of her dream roles.

For someone so accomplished, the 22-year-old is exceptionally humble. “I never expected I would get to do these roles," she says. “When I saw my name on the rehearsal schedule for Olga, I was so excited. I'm super-grateful."

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