Ballet Stars

American Ballet Theatre's Cassandra Trenary seems to have it all—not only is our June/July 2016 cover star a dazzling soloist at ABT, she has a sunny, down-to-earth personality and a life-saving hero for a husband. But her first year in the company had its fair share of disappointments—in fact, she almost left dance altogether to pursue acting.

In May, the National YoungArts Foundation, an organization that provides cash awards and mentorship to aspiring performing artists, brought Trenary (herself a 2011 YoungArts winner) and ABT artist in residence Alexei Ratmansky together for a salon-style discussion. Together they talked about critical turning points in their careers, as well as the challenges of navigating the dance world as a young professional. Below are exclusive excerpts of their interview—we hope their words inspire you as much as they inspire us!



There's still time to enter YoungArts's national arts competition for a chance at cash awards, workshops and more. Click here for information on how to apply.

Cassandra Trenary photographed by Nathan Sayers for Pointe.

This is Pointe's June/July 2016 Cover Story. You can subscribe to the magazine here, or click here to purchase this issue.

It seems that, in ballet careers, everything happens at once. For a few years, you notice a dancer and make a mental note: “She's got something." And then, before you know it, she's everywhere. And so it was last year for American Ballet Theatre's Cassandra Trenary, 22. In the blink of an eye she graduated from promising young dancer—I remember spotting her as she led the Shades in La Bayadère with unrelenting precision—to nascent star. She performed her first classical solo, in Raymonda Divertissements, in 2014. Then, in one year, she debuted the roles of Princess Florine and Diamond Fairy in Alexei Ratmansky's new The Sleeping Beauty, the youngest sister in Antony Tudor's Pillar of Fire, the sleep-dancing young woman in Le Spectre de la Rose and a lead role in Marcelo Gomes' new AfterEffect. Last August, she was promoted to soloist.

Physically, it was a challenging year. “I felt like crap!" the relaxed, forthright Trenary answered recently at a café near ABT's studios when asked what it felt like to learn so many roles in quick succession. “But I love to dance, and I just ran with it." Trenary—a petite brunette with big, lively eyes and strong features that read particularly well onstage—emanates energy and directness. No matter what role she dances, she's dynamic and strong, a force to be reckoned with.


Trenary as the Canary Fairy in "The Sleeping Beauty." Photo by Gene Schiavone, Courtesy ABT.

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