Former Royal Ballet first artist Leanne Cope made the ultimate ballet to Broadway crossover. In 2014 she was asked by choreographer Christopher Wheeldon to originate the role of Lise Dassin, a hopeful young ballerina, in his new stage production of An American in Paris. Alongside former New York City Ballet principal Robert Fairchild, Cope starred in critically acclaimed runs of the show on both Broadway and London's West End. Though the production closed in London last January, audiences will have the chance to see Cope and Fairchild in their original roles in a filmed version of the West End production in movie theaters around the US and Canada September 20 and 23. Pointe caught up with Cope to find out what it's like seeing herself on the big screen, her advice for ballet dancers interested in musical theater, and how she managed dancing the same steps eight shows a week... for nearly four years. To see if An American in Paris is coming to a movie theater near you, click here.
What was the best part of doing An American in Paris?
One of the most exciting parts was opening on Broadway and opening on the West End. They were two very different evenings, but by the time we got to London I knew the show much better, so it was nice to know that I felt comfortable in the role. Getting to perform at the White House for Michelle Obama was also amazing—there were so many things, it's hard to pick just a few.