Audition Advice
Julia Erickson in William Forsythe's "In the middle, somewhat elevated." Photo by Rich Sofranko, Courtesy Pittsburgh Ballet Theatre.

Julia Erickson grew up training at the Pacific Northwest Ballet School. Once she'd spent some time in the professional division, she started feeling like a member of the company. She performed with PNB extensively, even touring with them to London, Scotland, Alaska and Hong Kong. So when contracts were offered her final year, she was disheartened not to receive one, especially because she had given up other opportunities to stay there. "It was hard not to take it personally," says Erickson, now a longtime principal dancer at Pittsburgh Ballet Theatre.

Rejection does tend to feel deeply personal, especially as you start auditioning for companies. But don't let disappointments take the wind out of your sails. In truth, the audition process is the first of many challenges, such as casting and contract renewals, that you will face as a professional dancer. But by looking at the big picture, making a strategic plan and trusting the process, you can learn to take rejections less personally and keep moving forward.

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