When former Ballet West principal Michael Beardon took over Ballet Arkansas in 2013, he wanted to find ways to connect the small, 13-member company to the greater dance world and help its young artists develop. “The more interaction they have with knowledgeable and talented choreographers, the faster they’re going to grow,” says Beardon. To do so, he initiated Visions: A Choreographic Competition, an event that also aims to nurture emerging dancemakers and educate audiences. Next week, the second annual Visions competition is set to hit Little Rock’s Center for Performing Arts University Theatre, showcasing the works of five choreographers in an interactive, “So You Think You Can Dance”-style setup.

 

This year’s competitors were selected from 31 candidates, and include Boston Ballet corps member Boyko Dossev, former Pacific Northwest Ballet dancer Barry Kerollis, former Ballet West principal and Visceral Dance Chicago dancer Tom Mattingly, Post:Ballet’s Aidan DeYoung and former Houston Ballet soloist Ilya Kozadayev. The choreographers have one week to create a 4–6 minute selection on Ballet Arkansas dancers before a public performance on August 22. A panel of three judges, headlined by Hubbard Street Dance artistic director Glenn Edgarton, will evaluate each work, with the winner receiving a commission to complete their new ballet for the company’s spring program in May 2016.

 

Beardon set up the performance much like an episode of SYTYCD: A short video shot during the rehearsal process introduces the featured choreographer, followed by a performance of his work. Immediately afterward, the finalist takes the stage, where the judges provide live feedback. “The competitors get input on how to make their craft better, but it also educates our audience about what makes good dance,” says Beardon. Each judge receives 25 percent of the vote, but the audience collectively determines the last 25 percent. “They can definitely influence the outcome,” says Beardon, who admits the process also helps him crowd source what his community responds to. “I love to know what they like, and I’ve been pleasantly surprised in the past.” Seems like a smart way to build a devoted audience. For tickets and more information, click here.

Megan Dickinson, Amar Ramasar and Amber Neff. Photo by Lois Greenfield

 

New York City Ballet principal Amar Ramasar may be in the middle of NYCB’s fall season, but during his free time you'll catch him dancing up a storm in an old Noho loft. That’s because he and nine other dancers have been preparing for “Voices of Bulgaria and America,” a series of performances October 17–19 at the 92nd Street Y, that brings together artists from both countries. The massive loft, which functions as part living space, part dance studio, belongs to quirky contemporary ballet choreographer Kathryn Posin, who developed the program with longtime collaborator Momchil Mladenov as a celebration of his native country. It also signals the resurrection of her project-based Kathryn Posin Dance Company, which she suspended in 1991 to pursue freelance choreography.

 

Three Bulgarian dancers currently dancing Stateside—Boston Ballet’s Boyko Dossev, The Suzanne Farrell Ballet’s Violeta Angelova and Louisville Ballet’s Philip Velinov—are slated to perform alongside Ramasar, the Joffrey Ballet’s Yumelia Garcia and Flesh and Bone’s Megan Dickinson, among others. The program includes three world premieres to scores by John Adams, Steve Reich and Bulgarian composer Emil Tabakov, as well as live music by Bulgarian double bassist Viktoria Tsvetkova. Click here for tickets and information.

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