New York City Ballet's Olivia Boisson. Photo by Melika Dez, Courtesy Black Iris Project.
In 2016, choreographer Jeremy McQueen founded the Black Iris Project with the aim of bringing together predominantly minority dancers each summer to create works that celebrate diversity and black history. This year, he's mixing it up. In honor of South African anti-apartheid leader Nelson Mandela's 100th birthday on July 18, McQueen created 100 FISTS in collaboration with photographer Melika Dez. Each day, for the hundred days leading up to Mandela's birthday, BIP has released a photo on social media of a black dancer in a New York City location, posed with their hand in a fist. Each photo is paired with an inspirational quote by Mandela. Pointe caught up with McQueen to find out how this project came together and what's next for the fledgling collective.
Jeremy McQueen's The Black Iris Project in "Madiba" Photo by Matthew Murphy
Misty Copeland's dancing and Justin Peck's choreography have graced stages around the world. Now, these two stars will test themselves as curators. This year, the John F. Kennedy Center for the Performing Arts, in Washington, DC, features their respective visions as part of the Ballet Across America program, April 17–23.
During the first half of the run, Copeland's picks take the stage, including Nashville Ballet, Complexions Contemporary Ballet and Jeremy McQueen's Black Iris Project. “I chose these companies because it's a chance to give them a level of exposure on the Kennedy Center stage that's typically reserved for larger companies," Copeland says. “They all perform at a high level of excellence and represent a diverse, inclusive cast of dancers." Peck's curation includes Joffrey Ballet, L.A. Dance Project and Abraham.In.Motion—a departure from typical ballet programming. “I tried to emphasize musical choreography," says Peck. Ballet Across America also includes talk-backs with the curators and artistic directors, and two world premiere Kennedy Center commissions: a piece by McQueen choreographed on American Ballet Theatre's Jacqueline Kennedy Onassis School students and a film by former Miami City Ballet dancer Ezra Hurwitz.
Pennsylvania Ballet's Nardia Boodoo for Black Iris Project. Photo by Matthew Murphy, via Instagram
For the past few months, a new ballet collaborative called the Black Iris Project has steadily gained momentum. Founded by choreographer Jeremy McQueen, the project brings together dancers of color from different companies to perform original works about the black experience. Tonight, Black Iris Project opens its debut season at New York Live Arts with three new ballets, including Brown Baby, a piece co-choreographed by McQueen and Lauren Cox, and McQueen's Madiba, based on the life of Nelson Mandela.
The project, which also includes an educational component, was created in response to ballet's lack of diversity. In a recent article in The Village Voice, McQueen stressed that Black Iris Project is a collaborative, not a company, and that its featured dancers are from all over the country. “It's important for them to stay where they are," he told writer Rajul Punjabi, “because if they don't clear the way for themselves in that company, who knows how long it's going to take for another black dancer to grace the ranks of those companies?"
One of those dancers, San Francisco Ballet corps member Kimberly Marie Olivier (formerly Braylock), will dance the lead in McQueen's Black Iris, a ballet that confronts the particular challenges faced by black women. In an SFB blog post, she writes about premiering the work at a preview performance in June. It was her first stab at a principal role. “When my self-esteem started to ebb," writes Olivier, “I just had to keep reminding myself that this was for a cause that was bigger than just me."
At the June premiere of of Black Iris. Photo by Jack Vartoogian/FrontRowPhotos, via Instagram
The Black Iris Project runs from July 27–28, 2016 at New York Live Arts. Check out the video of the making of Madiba below.