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Ballet West in rehearsal for Le Chant du Rossignol. Beau Pearson, Courtesy Ballet West.

Ballet West opens its season October 25–November 2 with a triptych of works from George Balanchine's early choreographic career with Sergei Diaghilev's Ballets Russes. Highlighting the program is Balanchine's 1925 The Song of the Nightingale (Le Chant du Rossignol), never before seen in the U.S. This ballet is not only the first piece that a then-21-year-old Balanchine made for the Ballets Russes; it also marks his first collaboration with Igor Stravinsky, and features costumes by Henri Matisse. To bring it to Salt Lake City, Ballet West is working closely with Millicent Hodson and Kenneth Archer, who reconstructed the work for Les Ballets de Monte-Carlo in 1999.

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Master pointe shoe fitter Josephine Lee of the California-based ThePointeShop chats with Ballet West soloist Chelsea Keefer to hear about how she prepares her pointe shoes. Keefer offers lots of darning tips, and shares all of the unusual ways that she uses rosin.

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Ballet West's Emily Neale. Jayme Thornton.

This is Pointe's Summer 2019 cover story. You can subscribe to the magazine here, or click here to purchase this issue.

In Ballet West's company class at Salt Lake City's historic Capitol Theatre, demi-soloist Emily Neale stands poised in first position, her hair swirled into a slightly disheveled bun. In any other room, her 5' 8" frame would be a standout, but in this company—where the tallest woman is 6' 1"—her height is hardly something to note. Rather, it's her self-possession. As the dancers around her seek to impress on-looking artistic staff, 24-year-old Neale seems unfazed. Her épaulement breezes, her allégro soars and suspends, her technique is solid, and all the while, she is calm.

Her unflappability was built along a very patient path to Ballet West. While clearly talented, Neale struggled to find work for two years, enduring the pressures of rejection while waiting for the right stars to align. Yet she remained steadfast, and despite her difficult start, her timeline caught up with her talent once she landed at Ballet West. Since joining as a trainee in 2015, she's risen rapidly to demi-soloist. In fact, it's the fastest climb the company has seen since principal Beckanne Sisk.

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Grand Rapids Ballet in rehearsal. Jade Butler, Courtesy GRB.

Wonder what's going on in ballet this week? We've rounded up some highlights.

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Ballet Austin's corps in Snow Scene. Photo by Anne Marie Bloodgood, courtesy Ballet Austin.

Few people who are busier during the holidays than corps members of American ballet companies. December is officially Nutcracker season—a company's chance to earn a huge chunk of their revenue for the year, and a dancer's chance to go a little, ahem, nuts, waltzing and swallowing fake snow night after night for weeks on end.

But Nutcracker can also be an opportunity like no other, and for some corps members, it's the highlight of their year. Five dancers told us what helps them get through it all.

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Artists of Ballet West in Balanchine's Jewels. Photo by Beau Pearson, Courtesy Ballet West.

Wonder what's going on in ballet this week? In addition to the programs at Pacific Northwest Ballet, The Washington Ballet, Ballet West and City Ballet of San Diego listed below, this week also marks Balanchine: The City Center Years, a five-day extravaganza bringing together eight companies from around the world. You can read more about it here. Also coming up is Boston Ballet's black box show, BB@home: ChoreograpHER, which features six new works by women in the company. Peek inside the budding choreographers' processes here.

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San Francisco Ballet is bringing six works from their Unbound: A Festival of New Works to The Kennedy Center this week. Here, dancers are pictured in Christopher Wheeldon's Bound To. Photo by Erik Tomasson, Courtesy The Kennedy Center.

Wonder what's going on in ballet this week? We've pulled together some highlights.

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Viral Videos
Josephine Lee outside Ballet West Academy. Photo Courtesy Lee.

Earlier this summer, we followed master pointe shoe fitter Josephine Lee of the California-based The Pointe Shop as she made her on a pointe shoe fitting tour around the West Coast and California. Now she's back, this time on a 45-day tour from California to Chicago, educating students on all things pointe shoes and helping them to find their perfect fit. Lee's making stops at top ballet companies and academies across the country, exploring schools and getting know academy directors. Below, check out Lee's stop at Ballet West. She touches base with academy director Peter Merz. Stay tuned for more!

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New San Francisco Ballet principal Wei Wang in Helgi Tomasson's Concerto Grosso. Photo by Erik Tomasson, Courtesy SFB.

Promotions season is well underway. Earlier this spring we covered exciting changes at Boston Ballet and Pennsylvania Ballet; now we're back with news from six more companies—English National Ballet, San Francisco Ballet, National Ballet of Canada, Miami City Ballet, Ballet West and Pittsburgh Ballet Theatre. (Stay tuned throughout the summer as additional companies release their updated rosters.) Here's who's doing a happy dance.

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Artists of Ballet West. Photo by Beau Pearson, Courtesy Ballet West.

Wonder what's going on in ballet this week? We've pulled together some highlights.


ABT Met Opera Season Opens with Giselle

This week American Ballet Theatre moves into the Metropolitan Opera House for their annual 8-week season. From Alexei Ratmansky's new Harlequinade to the world premiere of AFTERITE by Wayne McGregor, this season is packed. But week one opens with a classic: Giselle. Though a number of ABT's most celebrated dancers will have their turn in the lead roles this week, the May 18th performance will be danced by guest star Natalia Osipova in the title role opposite ABT principal David Hallberg as Albrecht.

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Younji-Grace Choi at the 2014 USA IBC. Choi is now a dancer with Cincinnati Ballet and will return to the USA IBC as a senior competitor this summer. Photo by Richard Finkelstein, Courtesy USA IBC.

Exciting news today: the USA International Ballet Competition has just announced its list of invited competitors for the summer 2018 competition. The USA IBC has invited 119 dancers from 19 countries out of over 300 applicants to compete in Jackson, MS June 10-23.

Since the last USA IBC in 2014 the competition has expanded its age limits; the junior category now allows dancers ages 14-18 and the senior category dancers ages 19-28. Of the 119 competitors this year, 53 are juniors and 66 are seniors. The United States has the highest number of competitors invited (52), followed by Japan (23) and South Korea (14). The other countries represented are Armenia, Brazil, Bulgaria, Canada, China, Columbia, Cuba, Dominican Republic, Kyrgyzstan, Latvia, Mexico, Mongolia, Peru, Philippines, Ukraine and the United Kingdom.

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