Heather Ogden in The Sleeping Beauty. Photo by Bruce Zinger, Courtesy NBoC.

When National Ballet of Canada principal Heather Ogden was in high school, she earned a spot at Royal Winnipeg Ballet School's year-round program. She had loved their summer intensive and knew she wanted to dance professionally—but she also knew that she wasn't ready to leave home. “I was reluctant to leave my family," she says. “It was a hard decision, but I knew I was getting really good training at home." She took a chance and stayed at her home studio, Richmond Academy of Dance in British Columbia, until she graduated high school and auditioned for NBoC.

These days, many promising ballet students leave home for professional schools, hire personal coaches and jet from one competition to another. Those who lack the financial means for such training, or aren't ready (or allowed) to leave home yet, may feel they have no chance at making it professionally. Pointe investigated four training “disadvantages" in today's high-profile world. Here's how to make sure you're still on track for a career.

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