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Wonder what's going on in ballet this week? We've pulled together some highlights.

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San Francisco Ballet is bringing six works from their Unbound: A Festival of New Works to The Kennedy Center this week. Here, dancers are pictured in Christopher Wheeldon's Bound To. Photo by Erik Tomasson, Courtesy The Kennedy Center.

Wonder what's going on in ballet this week? We've pulled together some highlights.

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Dancers of The Washington Ballet. Photo by Dean Alexander, Courtesy TWB.

Wonder what's going on in ballet this week? We've pulled together some highlights.

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Artists of Ballet West. Photo by Beau Pearson, Courtesy Ballet West.

Wonder what's going on in ballet this week? We've pulled together some highlights.


ABT Met Opera Season Opens with Giselle

This week American Ballet Theatre moves into the Metropolitan Opera House for their annual 8-week season. From Alexei Ratmansky's new Harlequinade to the world premiere of AFTERITE by Wayne McGregor, this season is packed. But week one opens with a classic: Giselle. Though a number of ABT's most celebrated dancers will have their turn in the lead roles this week, the May 18th performance will be danced by guest star Natalia Osipova in the title role opposite ABT principal David Hallberg as Albrecht.

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Nevada Ballet Theatre in Balanchine's "Slaughter on Tenth Avenue." Photo by Virginia Trudeau, Courtesy NBT.

Wonder what's going on in ballet this week? We've pulled together some highlights.


New York City Ballet's Jerome Robbins Festival Opens with World Premiere by Justin Peck

This week marks the start of NYCB's Robbins 100 festival, running May 3-20, celebrating the centennial of choreographer Jerome Robbins. The company will dance 19 Robbins' ballets as well as a world premiere by resident choreographer Justin Peck inspired by Robbins and set to a score by Leonard Bernstein. The centennial of Bernstein, Robbins' longtime collaborator, will also be celebrated this year. This striking trailer offers glimpses of some of Robbins' most beloved ballets, including Fancy Free and The Cage.

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Richmond Ballet dancers in "An Open Later..." by Matthew Frain. Photo by Sarah Ferguson, Courtesy Richmond Ballet.

What's going on in ballet this week? We've pulled together some highlights.


The Bolshoi Premiere of John Neumeier's Anna Karenina

Last July Hamburg Ballet presented the world premiere of John Neumeier's Anna Karenina, a modern adaptation on Leo Tolstoy's famous novel. Hamburg Ballet coproduced the full-length ballet with the National Ballet of Canada and the Bolshoi, the latter of which will premiere the work March 23 (NBoC will have its premiere in November). The production will feature Bolshoi star Svetlana Zakharova in the title role. This is especially fitting as Neumeier's initial inspiration for the ballet came from Zakharova while they were working together on his Lady of the Camellias. The following video delves into what makes this production stand out.

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Ballet Training
Eleanor Rodriguez. Photo Courtesy RAD.

"When I compete, I'm the type to get nervous and shaky," says 19-year-old Eleanor Rodriguez. Growing up, the Phoenix, Arizona native had competed in figure skating and archery, but last month she got her first taste competing in the ballet world when she traveled to Lisbon, Portugal for the Royal Academy of Dance's Genée International Ballet Competition. Rodriguez, who has been most recently studying at the Russian-based Master Ballet Academy in Scottsdale, trained mainly in the RAD style under Mary Mo Adams. "I've been working in the curriculum my whole life, and the Genée is the height of that experience."

Rodriguez was also the only American participant, adding to the pressure. "I definitely feel like I have to represent," she said a few days before leaving for the competition. "But I've been training really hard. I'm as ready as I can be." She prepared two solos ahead of time—the second Shades variation from La Bayadère and a "Dancer's Choice" neoclassical solo choreographed by her Master Ballet Academy teacher Albert Cattafi. Once in Lisbon, Rodriguez enjoyed four intense days leading up to the semi-finals that included classes, coaching sessions with RAD faculty and learning another solo created especially for the Genée by Portuguese choreographer César Augusto Moniz.


Photo by Ed Flores, Courtesy RAD.

While Rodriguez, who joins Ballet Arizona's Studio Company this fall, did not make it to the final round, she felt the experience was well worth it. "I loved receiving coaching and having an opportunity to perform." We asked her to share how she stayed calm and maintained perspective during the competition, below.

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For the first time, Ballet Arizona is presenting the work of its own dancers. Between May 22 and June 1, the company will perform an evening of premieres choreographed by current BA dancers. The evening is the brain-child of Ballet Arizona director Ib Anderson who is letting his dancers loose in the studio.

Four dancers are showing work in an evening titled Innovations. Nayon Iovino, Myles Lavallee, Astrit Zejnati and Tzu-Chia Huang have brought a distinct dynamism to this unique program. Leading up to the week-long run of performances, Ballet Arizona filmed the choreographers at work in the studio. In a series of behind-the-scenes clips, each choreographer talks about his or her work, providing insight into the rehearsal process as well as a peek into the studio.

Less surprising than the program itself is the choreographic gravitation toward more contemporary forms. One choreographer, Astrit Zejnati, mentions this tendancy saying, "I went specifically with the neo-classical style, thinking that my fellow dancers were going to go more with the contemporary, so I just wanted to give a little more diversity in our performance."

Watch the behind-the-scenes footage here.

Photo courtsey of Ballet Arizona

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