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Up Close and Personal with the Costumes of New York City Ballet Galas Past

NYCB dancers Peter Walker (left) and Jonathan Fahoury performing Kyle Abraham's "The Runaway," with costumes by Giles Deacon (photo by Erin Baiano, courtesy NYCB)

Autumn in the Big Apple means one thing: New York City Ballet's Fall Fashion Gala. Since its inception in 2012 by Sarah Jessica Parker, the gala has produced dozens of new ballets, complete with original costumes designed by the fashion industry's biggest names. Ahead of this year's gala—which takes place September 26th and features new works by Lauren Lovette and Edwaard Liang, with costumes designed by Zac Posen and Anna Sui—NYCB joined forces with INTERSECT by Lexus on an exhibition showcasing the many stunning gala costumes from years past. We met up with Marc Happel, NYCB's Director of Costumes, to talk about the retrospective, the biggest lessons he's learned over the years, and the designers he'd love to work with in the future.

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What It's Like to Be an Apprentice with American Ballet Theatre

Abbey Marrison (far left) performing in Lauren Lovette's Le Jeune in American Ballet Theatre's fall gala (Marty Sohl, courtesy ABT)

So many ballet greats start out as apprentices before joining the main company's corps de ballet. But what do the ins and outs of an apprenticeship actually look like? We had American Ballet Theatre apprentice Abbey Marrison keep a diary last fall during the week of the company's gala performance. In the gala, Marrison performed in Lauren Lovette's Le Jeune. A Markham, ON, Canada native, Marrison began her ballet training at Karpov Ballet Academy, and later placed as a finalist at the 2016 Youth America Grand Prix. She began training at American Ballet Theatre's Jacqueline Kennedy Onassis School in 2016, joined the ABT Studio Company a year later, and was made an apprentice in 2018. Here's what her job is like. —Courtney Bowers

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A Saint Louis Ballet Dancer Is Missing

Raffaella Stroik. Photo via stlouisballet.org

Update: Raffaella Stroik's body was found near a boat ramp in Florida, Missouri on Wednesday morning. No information about what led to the death is currently available. Our thoughts are with her friends and family.

Raffaella Stroik, a 23-year-old dancer with the Saint Louis Ballet, went missing on Monday.

Her car was found with her phone inside in a parking lot near a boat ramp in Mark Twain Lake State Park—130 miles away from St. Louis. On Tuesday, the police began an investigation into her whereabouts.

Stroik was last seen at 10:30 am on Monday at a Whole Foods Market in Town and Country, a suburb of St. Louis. She was wearing an olive green jacket, a pink skirt, navy pants with white zippers and white tennis shoes.

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Just for fun

Finally, An Inclusive Range of Nude Leotards

via @discountdance on Instagram

"Ballet pink" tights and palest-pink slippers. "Nude" fabrics that match only the lightest of skin tones. Unfortunately, many dancewear staples have historically been available only in a single "flesh tone" that tended to exclude non-Caucasian dancers.

Thankfully, in recent years dancewear companies have begun to respond to this issue, offering more varied shades of tights, pointe shoes, body tights, etc. (One former Knicks City Dancer even made inclusiveness the foundation of her business model.) Now, you can also get foundation garments that suit your unique skin tone with the new Mariia True Bare Collection.

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Onstage This Week: NYCB in Copenhagen, Houston Ballet at Jacob's Pillow, Boston Ballet at Tanglewood and More!

Boston Ballet is bringing Jerome Robbins' Fancy Free to the Tanglewood Music Center in Lenox, MA. Photo by Gene Shiavone, Courtesy Boston Ballet.

Wonder what's going on in ballet this week? We've pulled together some highlights.


Houston Ballet Brings a World Premiere to Jacob's Pillow

August 15-18, for the first time in almost four decades, Houston Ballet is appearing at Jacob's Pillow, the famous summer dance festival in Becket, MA. Headlining the program is Just, a world premiere commissioned by the Pillow and choreographed by HB artistic director Stanton Welch, set to music by contemporary composer David Lang. Also from Welch are Clear, an abstract piece for seven men and seven women, and excerpts from Sons de L'ame, with music by Chopin. The company will also perform In Dreams, choreographed by former Pillow choreographic associate Trey McIntyre.

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This New Web Doc on Dance Photographer Omar Z Robles Will Give You Serious Instagram #Inspo

A scene from "Pointe of Focus." Photo Courtesy SmugMug Films.

Chances are, you've seen (and "liked") photographer Omar Z Robles' beautiful shots of ballet dancers on social media. Rather than clean and tidy studio photos, his work captures dancers ("the ultimate subject," he says) outside and all over the world, often on vibrant city streets. In Pointe of Focus, a short web documentary from SmugMug Films, director Anton Lorimer goes behind the scenes with Robles during a recent trip to Rio de Janeiro. The doc follows the photographer as he scouts locations in Rio's historical districts and favelas, and directs local Brazilian dancers through the shoot. And these ballerinas are troopers, leaping over concrete, turning over cobblestones or balancing in rain-soaked pointe shoes to achieve the perfect shot.

"Putting them in an environment that's familiar, I think it strips away the barrier that comes with a studio or stage, and really shows how exceptional they are," Robles says about shooting dancers in public spaces. Learn more about this in-demand dance photographer in the nine-minute film below—you'll be sure to get some major Instagram inspiration!

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Onstage This Week: Vail Dance Fest Comes to an End, Natalia Osipova as Isadora Duncan and More!

Aspen Santa Fe Ballet will revive "An Evening with Pianist Joyce Yang" this weekend in Aspen. Photo by Rose Eichenbaum, Courtesy of ASFB.

Wonder what's going on in ballet this week? We've pulled together some highlights.


Vail Dance Festival Races to the Finish Line

This Sunday, Vail Dance Festival wraps up an eventful few weeks jam-packed with premieres, collaborations and guests. The final week of the festival has us looking forward to appearances from American Ballet Theatre, Ballet Hispánico and more.


Vail's NOW: Premieres Includes New Michelle Dorrance Work for ABT

On August 6, Vail's NOW: Premieres program features new works commissioned for the festival. Choreographers include New York City Ballet star Tiler Peck (making her festival choreographic debut), Lauren Lovette, Justin Peck and Claudia Schreier, who is creating a ballet on dancers from Ballet Hispánico. Tap maverick Michelle Dorrance is also choreographing a piece on American Ballet Theatre, the second of Dorrance's three works on the company this year. Watch some of the same choreographers' premieres at the 2017 edition of NOW below.

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Varna International Ballet Competition Winners Include Some Familiar Faces

Varna IBC competitor Antonio Gameiro Casalinho. Photo by Nina Lokmadzhieva, Courtesy Varna IBC.

Every two years, dancers from all over the world head to the Bulgarian coastal city of Varna to try their luck at the Varna International Ballet competition. Established in 1964, the competition famously takes place at a leafy outdoor theater near the Black Sea, and its roster of past winners (Sylvie Guillem, Mikhail Baryshnikov, Natalia Makarova) reads like a who's who of dance history.

This year's IBC, which took place July 15–30, brought together 120 dancers from 34 countries. After the third and final round, the winners were announced over the weekend. Yuan Zhe Zi (Jessica) Xuan, a grand sujet at Dutch National Ballet, won first place in the senior women's category. Sinuo Chang of China took first in the senior men's, while his partner, Siyi Li, placed first in the junior women's category. A few familiar faces from the competition circuit also made the list. Antonio Casolinho, a student at the Academy of Ballet and Dance in Portugal and this year's Junior Grand Prix winner at Youth America Grand Prix, took home the Special Distinction Award, Varna's top prize for juniors. Katherine Barkman, a principal guest artist with Ballet Manila, placed second in the senior women's category, fresh off her silver medal win at June's USA IBC in Jackson.

Read on to see the full list of prizewinners, then head to Varna IBC's Facebook page to catch videos of the competition. Congratulations to all!

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News

Onstage This Week: Justin Peck Makes His Vail Dance Fest Choreographic Debut, Two Premieres at American Contemporary Ballet, and More!

Patricia Delgado in Pam Tanowitz's "Solo for Patricia 2017." Photo by Erin Baiano, Courtesy Vail Dance Festival.

Wonder what's going on in ballet this week? We've pulled together some highlights.


Vail Dance Fest Enters Its Second Week

With half a month devoted to creating new art in the midst of stunning nature, Vail Dance Festival seems a dancer's paradise. Last week marked American Ballet Theatre's festival debut. The second week of performances, starting July 30, brings even more amazing ballet, with dancers and choreographers presenting a slew of new collaborations and premieres. Get the scoop on each program below.

Alonzo King LINES Ballet Takes the Vail Stage

July 30-31, Alonzo King LINES Ballet presents two different programs. The first performance, is a free, family-friendly event held in the Avon Performance Pavilion. The second, held at the Gerald R. Ford Amphitheater, presents two works by King: Sand, a piece from 2016 set to jazz music, and Biophony, an exploration of the Earth's diverse ecosystems.

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News

Onstage This Week: World Premiere at Australian Ballet by Company Dancer, ABT's "Swan Lake" Opens at the Met, And More

Sara Webb and Connor Walsh with Artists of Houston Ballet in "Swan Lake" choreographed by Stanton Welch. Photo by Amitava Sarkar, Courtesy Houston Ballet.

Wonder what's going on in ballet this week? We've pulled together some highlights.


The Australian Ballet's Triple Bill, Verve, Includes New Work by Company Dancer Alice Topp

Verve, a triple-bill program from The Australian Ballet running June 21-30 in Melbourne, will host revivals of works from resident choreographers Stephen Baynes and Tim Harbour, as well as a world premiere from company coryphée Alice Topp. Topp's Aurum is inspired by kintsugi, a Japanese art in which broken ceramics are mended using lacquer colored with silver or gold, so that the cracks are emphasized, instead of hidden. In Aurum, Topp applies that philosophy to the human ability to find beauty in vulnerability and imperfections. Completing the bill are Baynes's Constant Variants, which pairs neo-classical ballet with a Tchaikovsky score, and Harbour's Filigree and Shadow, a contemporary ballet featuring striking set and lighting design.

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English National Ballet Names Daniel McCormick As Its Emerging Dancer Award Winner

ENB dancer Daniel McCormick, winner of the 2018 Emerging Dancer Award. Photo by Laurent Liotardo, Courtesy ENB.

English National Ballet's Emerging Dancer Award has become a highly anticipated annual event, especially since the company started live-streaming the performance around the world. The competition, which is between six up-and-coming dancers from ENB's junior ranks, is often a good predictor of bigger things to come—past winners include ENB principal Shiori Kasi and first soloist Junor Souza, as well as exiting principal Cesar Corrales, who will join Royal Ballet as a first soloist next season.

This year's competition took place Monday. Finalists Precious Adams, Fernando Carratalá Coloma, Giorgio Garrett, Daniel McCormick, Francesca Velicu and Connie Vowles performed their hearts out for a live audience at the London Colosseum, each dancing a classical pas de deux and variation, as well as a contemporary solo. (Read more about the finalists here).


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The National Ballet of Canada's Guillaume Côté on Creating the Wildly Interdisciplinary World Premiere "Frame by Frame"

Guillaume Côté in rehearsal with Harrison James for "Frame by Frame." Photo by David Leclerc, Courtesy NBoC.

This week marks the world premiere of Frame by Frame, The National Ballet of Canada's new full length ballet based on the life and work of innovative filmmaker Norman McLaren. While those outside of the cinephile community might not be familiar with McLaren's work, he is commonly credited with advancing film techniques including animation and pixilation in the 20th century—he died in 1987. The Canadian artist's many accolades include a 1952 Oscar for Best Documentary for his abstract short film Neighbours (watch the whole thing here). Later in life, McLaren became interested in ballet, and made a number of dance films including his renowned 1968 Pas de deux.

NBoC's new work, titled Frame by Frame, will run June 1-10 in Toronto. The ballet combines vignettes of McLaren's life with movement quotes from his films and real time recreations of his technological advances. It was created in collaboration by NBoC principal dancer and choreographic associate Guillaume Côté and film and stage director Robert Lepage, who is making his NBoC debut. Pointe touched base with Côté on how this interdisciplinary project came together.

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