Misa Kuranaga with Forsythe in the studio. Liza Voll, Courtesy Boston Ballet.

When Boston Ballet announced its partnership with choreographer William Forsythe last year, it named his full-length Artifact as its first new acquisition. Created in 1984, Artifact is considered by many to be Forsythe's greatest masterpiece, yet it has never been performed in its entirety by a U.S. company. Simultaneously abstract and theatrical (two characters—a Person in Historical Costume and a Person with Megaphone—have speaking roles), this large-scale “ballet about ballet" is reverential to the past while taking the boundaries of classical technique into the future.

Boston Ballet dancers have been working closely with Forsythe in preparation for the February 23 premiere. Artistic director Mikko Nissinen talked to me about the production, and why it's so groundbreaking.

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