Slither, slink, undulate, attack. To snakes, these actions are second nature. But seeing them translated onto a skilled dancer, namely BalletX's Stanley Glover, is thrilling. He certainly fit the bill with his deftly smooth movements in Annabelle Lopez Ochoa's The Little Prince, where he played, naturally, the Snake. Clad in a shiny silver bodysuit with a bowler hat and cane in hand, Glover gave an enticing performance in BalletX's new production this summer.
In December 1947, Tennessee Williams' A Streetcar Named Desire rocked audiences with its brutal portrayal of a young southern widow's tragic life. At the Broadway premiere, the theater fell utterly silent after the curtain closed, before the audience erupted into a 30-minute ovation.
Since its creation, Streetcar has won numerous awards and provided inspiration for a plethora of adaptations. Now, choreographer Annabelle Lopez Ochoa's balletic version is making its U.S. company debut at Nashville Ballet November 1–3. As a female choreographer with an interest in telling women's stories, Ochoa is championing a new era of narrative ballet, and she wants audiences familiar with Williams' story to see the protagonist's arc in a new light.
The Little Prince is one of the world's most beloved books, and one every child reads in Annabelle Lopez Ochoa's native Belgium. So when BalletX director Christine Cox hired Ochoa to make a new full-length ballet, the Netherlands-based choreographer immediately thought of Antoine de Saint-Exupéry's classic tale.
Featuring designs by Danielle Truss and Matt Saunders and music composed and performed live by Peter Salem, BalletX will premiere The Little Prince July 10–21 at Philadelphia's Wilma Theater. Pointe spoke to Ochoa about why children and adults alike will appreciate this new work.
Fall for Dance FestivalWonder what's going on in ballet this week? We've pulled together some highlights.
Wonder what's going on in ballet this week? We've pulled together some highlights.
Vail Dance Festival Races to the Finish Line
This Sunday, Vail Dance Festival wraps up an eventful few weeks jam-packed with premieres, collaborations and guests. The final week of the festival has us looking forward to appearances from American Ballet Theatre, Ballet Hispánico and more.
Vail's NOW: Premieres Includes New Michelle Dorrance Work for ABT
On August 6, Vail's NOW: Premieres program features new works commissioned for the festival. Choreographers include New York City Ballet star Tiler Peck (making her festival choreographic debut), Lauren Lovette, Justin Peck and Claudia Schreier, who is creating a ballet on dancers from Ballet Hispánico. Tap maverick Michelle Dorrance is also choreographing a piece on American Ballet Theatre, the second of Dorrance's three works on the company this year. Watch some of the same choreographers' premieres at the 2017 edition of NOW below.
In honor of its 85th anniversary, San Francisco Ballet has commissioned works from 12 internationally-recognized choreographers to contribute to the company's Unbound: A Festival of New Works, now in progress. Pointe spoke with Belgian-Colombian choreographer Annabelle Lopez Ochoa and corps member Solomon Golding about the process of making Guernica, Ochoa's work inspired by the painting of the same name by Pablo Picasso.
Get Pointe in your inbox
Photography by Christian Peacock
Summer is always a lively time at San Francisco Ballet, as the dancers return from vacation and launch into rehearsals for the upcoming season. But last July through September felt absolutely electric with creativity as the company created 12 world premieres for Unbound: A Festival of New Works, a cutting-edge program that will run April 20–May 6 at the War Memorial Opera House.
Artistic director Helgi Tomasson invited a wish list of international choreographers to participate: David Dawson, Alonzo King, Edwaard Liang, Annabelle Lopez Ochoa, Cathy Marston, Trey McIntyre, Justin Peck, Arthur Pita, Dwight Rhoden, Myles Thatcher, Stanton Welch and Christopher Wheeldon. Each got about 12 dancers, three weeks' studio time and, aside from a few general guidelines, total artistic freedom.
The latest front in the controversy over the underrepresentation of female choreographers in ballet is at Les Grands Ballets Canadiens de Montréal. They're facing a petition and choreographer resignation that forced them to rebrand a season and publicly defend their programming.
On February 26, artistic director Ivan Cavallari, who started the job in the summer of 2017, announced the 2018-2019 season, which included a program titled Femmes. The program announcement said the evening would have "woman as its theme," and that Cavallari had "chosen three distinctive voices, rising stars of choreography, to undertake this great subject."
The three voices Cavallari chose to create on the theme of women, however, were all men.
"This was just too much for me, it was the last straw," says Kathleen Rea, a former member of National Ballet of Canada who now freelances, choreographs and teaches in Toronto. Rea says she's been bothered by the dearth of women choreographers throughout her career. But referring to women as "subjects" and excluding them from choreographing on a program about them compelled her to take action.
The Joffrey Ballet and University of California—Berkeley's Cal Performances have joined forces on a five-year residency series that offers the public in-depth, behind-the-scenes access to the art of ballet. The first installment runs Nov. 13–19 with repertory classes taught by Joffrey dancers, a panel discussion and open rehearsals as well as performances in Zellerbach Hall November 17–19.
"There is so much interesting work happening, and we want to share it," says Joffrey artistic director Ashley Wheater, whose Bay Area ties go back to his days as a San Francisco Ballet principal dancer and ballet master. He has slated Justin Peck's In Creases, Annabelle Lopez Ochoa's Mammatus, the West Coast premiere of Alexander Ekman's Joy and Joffrey ballet master Nicolas Blanc's Encounter for this year's bill.
Joffrey Ballet dancers in rehearsal for Alexsander Eckman's "Joy." Photo by Todd Rosenberg, Courtesy Cal Performances.
It may be the middle of summer, but San Francisco Ballet is already rehearsing for its spring season. There's a lot to prepare for—the company's Unbound: A Festival of New Works, which runs April 20–May 6, 2018, will feature 12 new ballets by 12 choreographers. And it's an impressive group of dancemakers: David Dawson, Alonzo King, Edwaard Liang, Annabelle Lopez Ochoa, Cathy Marston, Trey McIntyre, Justin Peck, Arthur Pita, Dwight Rhoden, Myles Thatcher, Stanton Welch and Christopher Wheeldon. That's a lot of choreography to pack in!
Stanton Welch in rehearsal with San Francisco Ballet. Photo by Erik Tomasson, Courtesy SFB.
Luckily, we don't have to wait until spring to get a sneak peek of some of these new works. SFB is kicking off Unbound: LIVE, a series of live-stream events that will take us inside rehearsals. The first one is Wednesday, July 26, at 5:30 pm Pacific Standard Time (8:30 EST). It will highlight rehearsals with Arthur Pita, Edwaard Liang and Stanton Welch. You can expect to see the dancers perform excerpts of their works in progress, as well as interviews with each choreographer.
Artur Pita in rehearsal. Photo by Erik Tomasson, Courtesy SFB.
Visit SFB's website or its Facebook page tomorrow night to watch. And if you miss it, no worries—it'll be accessible on the company's site and YouTube channel for 60 days. The other live-stream events have yet to be announced, but we'll be sure to keep you posted!