The Royal Ballet's Vadim Muntagirov and Marianela Nuñez in La Bayadère. Photo by Bill Cooper, Courtesy ROH.
Do you ever wish you could teleport to London and casually stroll into The Royal Opera House to see some of the world's best-loved ballets? Well, we have a solution for you: The Royal Ballet's 2018-19 cinema season.
Whether live or recorded, the seven ballet programs listed below, streaming now through next October, will deliver all of the magic that The Royal Ballet has to offer straight to your local movie theater. Can you smell the popcorn already?
Zenaida Yanowsky and Roberto Bolle in Sir Frederick Ashton's "Marguerite and Armand." Photography by Tristram Kento, Courtesy ROH.
If you, like many of us here at Pointe, wish you could have seen Royal Ballet star Zenaida Yanowsky's retirement performance on June 7, you're in luck. The Royal will screen a recording of it in select movie theaters across the U.S. starting Sunday, June 25. (In many cities, it will be screened on Tuesday, July 11.) The program includes three works by the company's founding choreographer, Sir Frederick Ashton: The Dream, Symphonic Variations and Marguerite and Armand—the latter of which stars Yanowsky and Roberto Bolle. You can also catch other Royal favorites like Marianela Nuñez, Vadim Muntagirov, Steven McRae, Akane Takada and Yasmin Naghdi. Make sure to bring tissues!
To find dates, times and theaters near you, click here.
Two Pointe cover stars, two Japanese dancers and a woman who rocketed through two ranks in one year are among the dancers newly promoted to The Royal Ballet's highest ranks. With artistic maturity far beyond her 23 years, we knew it was only a matter of time before Francesca Hayward, who we featured in our February/March 2016 cover story, rose to the top. She'll start next season as a principal along with Alexander Campbell, Ryoichi Hirano and Akane Takada.
With these newly promoted dancers, The Royal's principal roster reflects more diversity. Hirano and Takada, both Japan-born, came to The Royal Ballet fresh off of Prix de Lausanne triumphs. Campbell is a native of Australia and Hayward, who grew up in England, was born in Nairobi to a Kenyan mother and a British father. Yet while there's been much public interest in her African heritage, she's more vocal about her English training. In our February/March issue, Hayward told writer Laura Cappelle, “It's only when people ask me what it's like to be a mixed-race dancer that I realize that I am. I've never been made to feel different, or like I shouldn't be doing it."
American dancer Beatriz Stix-Brunell (our 2012 October/November cover girl) is a new first soloist. Before joining The Royal, Stix-Brunell was a protégé of artistic associate Christopher Wheeldon. She trained in New York and at the Paris Opéra Ballet School, and she joined Wheeldon's Morphoses when she was just a teenager. Claire Calvert and Yasmine Naghdi are also newly appointed first soloists, and Matthew Ball and Mayara Magri have been promoted from first artist to soloist.
English dancer Tierny Heap was promoted to first artist in the middle of the 2015/2016 season. She danced the title role in Carlos Acosta's Carmen among other featured roles, and artistic director Kevin O'Hare evidently decided that Heap needed even greater tests for her talents. She will start the 2016/2017 season as a soloist.
See The Royal's website for a full list of promotions, new hires and departures.