American Ballet Theatre's fall season at Lincoln Center's Koch Theater offers a chance to see the company in shorter works and mixed-repertoire programs. This year's October 16–27 run honors principal Herman Cornejo, who's celebrating his 20th anniversary with the company. Cornejo will be featured in a special celebratory program as well as a new work by Twyla Tharp (her 17th for the company), set to Johannes Brahms' String Quartet No. 2 in G Major, Op. 111. The October 26 program will include Cornejo in a pas de deux with his sister, former ABT dancer Erica Cornejo.
Argentinian ballerina Paloma Herrera, who is now the artistic director of Ballet Estable del Teatro Colón in her home country, joined American Ballet Theatre at just 16 years old and was promoted to principal at 19. Over the course of her 24-year career with ABT, she became known for her maturity and range as an artist. Still, ingenue roles remained one of her hallmarks due to her ability to portray youth with honesty. She even danced Giselle for her ABT retirement performance. In this clip highlighting the first act variation in Giselle, she conveys the character's innocence with unaffected sincerity.
The beautiful short film, titled "Mobile Devices" (we see what they did there!), is directed by former Miami City Ballet dancer Ezra Hurwitz. It follows a day in the life of American Ballet Theatre soloist Calvin Royal III and New York City Ballet principal Sara Mearns, and also includes appearances by NYCB principal Gonzalo Garcia and ABT principal Isabella Boylston. "I wanted to showcase the experience of an African American male ballet dancer alongside the more traditionally featured white female ballerina," says Hurwitz, who frequently collaborates with stars of the dance world. "That said, I also wanted to keep it fun and visually driven, and make it a real celebration of these dancers' artistry, athleticism and determination."
The end of summer can only mean one thing in ballet world: Nutcracker audition season. It's the time of year when everyone at your studio is on edge with excitement, nerves and dreams. It's when you rewatch your DVD of last year's performance, practice choreography in your kitchen and make a list of roles you hope to get.
Nutcracker might be your only performance opportunity of the year, or the most significant one, so stakes are high. It's understandable if you feel anxious. We spoke with American Ballet Theatre principal Stella Abrera and Joffrey Ballet dancer Lucia Connolly, who have been in your ballet shoes, as well as Central Pennsylvania Youth Ballet school principal Alecia Good-Boresow for their advice on approaching this year's Nutcracker auditions.
We all know that personal trainers can help dancers condition their bodies more effectively. But trainers who are also dancers themselves? Now that's a uniquely valuable perspective.
Take Kathyrn Boren, an American Ballet Theatre corps member who got certified by the National Academy of Sports Medicine last summer, following in the footsteps of her colleagues Thomas Forster and Roman Zhurbin. Her weekly Conditioning for Dancers classes in New York City are filled with everyone from athletic men to older women (including one ABT donor who's attended every single time). But those who might get the most out of her workouts are the dance students who attend. They walk away with exercises and advice tailored for their particular challenges—coming from someone who knows those challenges intimately.
Boren recently spoke with Dance Magazine to share her best cross-training advice for dancers looking to improve their fitness.
On the last day of America Ballet Theatre's 2018 tour of The Nutcracker in Costa Mesa, California, corps member Alexandra Basmagy couldn't hold it in any longer. She broke the news to fellow corps members Gemma Bond and Lauren Post that she and her husband are expecting a little boy in August.
Basmagy was not the first ABT dancer to announce her pregnancy this season—principal Gillian Murphy revealed in December that she and her husband Ethan Stiefel were expecting a boy—nor would she be the last. Post's own announcement soon followed! Artistic director Kevin McKenzie burst out laughing when she told him the news, Post says. "He was like, 'It always happens in threes. Since Gillian told me and then Alex, I've been waiting for the last shoe to drop.'"
There is a veritable baby boom at ABT—Gemma Bond, corps member Alexei Agoudine, soloist Luciana Paris and soloist Thomas Forster are all new parents, and Murphy gave birth to her son, Ax Nathaniel, last month. Basmagy and Post are both in their third trimesters, with due dates on August 5th and August 19, respectively. Pointe interviewed these two moms-to-be, and then caught up with Forster and Paris, to learn how they navigate pregnancy and parenthood alongside a ballet career.
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If, like us, you're already mourning the end of American Ballet Theatre's marathon Met season, don't fear. The company just announced the lineup for its fall season, and there's a lot to look forward to.
Running October 16-27 at Lincoln Center's David H. Koch Theater, ABT's fall lineup includes world premieres by choreographers Twyla Tharp and Gemma Bond. While Tharp has been creating for ABT since 1976 (the company's Met season included a trio of her works), corps dancer Gemma Bond will be making her choreographic debut for ABT's main company. The season also shines a spotlight on principal Herman Cornejo, who will be celebrating his 20th anniversary with the company.
Alexei Ratmansky's Whipped Cream, which American Ballet Theatre debuted in 2017, tells the story of a young boy who eats too many sweets, falls into a delirium, and is rescued by Princess Praline, who brings him to a world inhabited by fantastical confectionary characters. Last week the chefs at New York's Serendipity 3, the famous Upper East Side eatery best known for its frozen hot chocolate, tried their hand at bringing Ratmansky's ballet to life (or at least to the table). The result is Whipped Cream - The Sundae, available to diners from May 7-July 13.
When former American Ballet Theatre principal Cheryl Yeager watches her daughter—Hannah Marshall, a current ABT corps member—take the stage, she gets a bit emotional.
"I always think, 'I wanted to move just like you when I was dancing!' because we are total opposites," Yeager says. "She is tall and moves with a legato quality, while I was short and moved fast and staccato."
Marshall isn't the only ABT dancer who inherited ballet genes from her mother. Former ABT soloist Carla Stallings Lippert's daughter Carolyn Lippert is also a current member of the corps, and former soloist Yan Chen's 17-year-old daughter, Chloe Misseldine, is a rising ABT Studio Company star. So for Mother's Day, we spoke with each pair about what it's been like sharing the same career path.
This week's TBT is a three-for-one throwback special: A power trio of versatile American Ballet Theatre performers, Xiomara Reyes and siblings Erica and Herman Cornejo, dance the Act I pas de trois from Swan Lake in this 2005 video. Reyes, who now heads The Washington School of Ballet, and Herman Cornejo both became principals at ABT in 2003 and were regular partners. Erica danced at ABT as a soloist until joining Boston Ballet as a principal in 2006. In the pas de trois from Swan Lake, the three dancers' unique camaraderie, exuberance and light, bounding ballon make for a show-stopping performance.