Suzanne Farrell Ballet Gears Up for Rarely Seen Gounod Symphony

George Balanchine's Gounod Symphony is one of those ballets that seems to have fallen through the cracks, for no good reason. This 25-minute work, set to Charles Gounod's lively first symphony, has largely faded from popular repertoire. (It was last performed at New York City Ballet in 1993, and by the School of American Ballet in 2007.) But this fall, The Suzanne Farrell Ballet is bringing Gounod back. It will receive its company premiere October 21–23 at the John F. Kennedy Center for the Performing Arts.

The Suzanne Farrell Ballet in rehearsal (Courtesy The John F. Kennedy Center for the Performing Arts)

At its premiere in January 1958 at New York City Center, its cast of 32 was led by Maria Tallchief and Jacques d'Amboise. But the dancer most closely associated with the lead ballerina role was the French-born Violette Verdy. This makes sense, since there is something very French about Gounod, a kind of brilliance and formality associated with the Paris Opéra. (Some have linked it to Symphony in C, also set to French music.) Its choreography overflows with brilliant patterns made up of clean, bright, intercrossing lines. Verdy compared it to the gardens of Versailles, and, in fact, the sets designed by Horace Armistead had a garden theme; they were originally used in NYCB's production of Antony Tudor's Jardin aux Lilas. For The Suzanne Farrell Ballet premiere, however, the ballet is getting a new look. Though she won't reveal any details, Farrell says the concept “will allow us to see the choreography better."

Farrell will be staging it, though she never danced it herself. Her tools are “an old, silent archival video in black-and-white" starring Diana Adams and Jacques d'Amboise, and of course the Gounod score. (She staged the ballet once before, for the School of American Ballet, in 1991.) Since there were no archival videos of the ballet on YouTube for her dancers to study, everyone in the room was seeing the steps for the first time, as if it were a new ballet. As she puts it: “It's almost as if the ballet were being created now by Mr. B."

Not long ago, for World Ballet Day (Oct. 4), the company filmed an open rehearsal:

It turns out that the premiere will also be a kind of farewell. Recently the Kennedy Center, which funds The Suzanne Farrell Ballet, announced that the company will disband after final performances in December, 2017. Farrell's role at the Center hasn't been fully defined, but she will continue to serve as a teaching artist as part of the Center's expansion, which includes new studios, a lecture hall and more. She's not wistful, but, as she recently told The Washington Post: “I'm very proud of my dancers and everything we've done, and I'm grateful for that." —Marina Harss

Latest Posts


James Barkley, Courtesy Dance for Change

Take Class From Celebrated Black Dancers and Raise Money for the NAACP Through Dance for Change

Since the nationwide fight against racial inequality took center stage in May, organizations across the dance world have been looking for meaningful ways to show their support, rather than fall back on empty social media signifiers. July 10-11, Diamante Ballet Dancewear is taking action with Dance for Change, a two-day event dedicated to fundraising for the NAACP, and amplifying the voices of Black professional dancers.

Organized by Diamante Ballet Dancewear's founder, Nashville Ballet 2 dancer Isichel Perez, and Pittsburgh Ballet Theatre teacher Elise Gillum, Dance for Change makes it easy to participate. Dancers need only to make a donation to the NAACP (in any amount) and email proof to diamante.ballet@gmail.com to be given online access to a full schedule of Zoom master classes taught by Black pros artists. Teachers include Ballet Memphis' George Sanders, Boston Ballet's Daniel Durrett, Pittsburgh Ballet Theatre's Corey Bourbonniere, and more. "It's important that we amplify BIPOC voices during this time, and it's also important that we're conscious of where we're putting our dollars," says Bourbonniere. "Diamante is doing both with Dance for Change, and I'm honored to be in this talented group of melanated dancers."

Keep reading SHOW LESS
Vikki Sloviter

Sydney Dolan Takes Center Stage at Pennsylvania Ballet

This is Pointe's Summer 2020 cover story. You can subscribe to the magazine here, or click here to purchase this issue.

Just days before the world shuttered under the strain of the coronavirus pandemic, and the curtain came down indefinitely on dance companies everywhere, Pennsylvania Ballet soloist Sydney Dolan debuted Gamzatti in La Bayadère with captivating ease. Her jumps soared, her technique was sound, and her cheeky smile paired with exquisite port de bras was beguiling. Though she didn't know the company would soon cancel the remainder of its season, her beautiful performance acted as a kind of send-off into the unknown.

Dolan's career could be described in one word: charmed. At just 19 years old, she's flown through the ranks at PAB, debuted a long list of roles, won a Princess Grace Award and been named one of Dance Magazine's "25 to Watch." Yet it's her challenges that have shaped not only her training but her outlook, giving her a solid foundation for becoming one of Pennsylvania Ballet's rising stars.

Keep reading SHOW LESS
Courtesy de Roos

SAB Student Founds Dancewear Nonprofit to Help Others in Need

When School of American Ballet student Alexandra de Roos was 8 years old, she placed a collection box at her dance studio for others to donate their gently used dancewear. De Roos, now 17, has since turned that single collection box into a nonprofit organization that aims to minimize economic barriers in the performing arts with free dancewear and classes.

De Roos' organization, Peace Love Leotards, has collected about $2,600 of new and gently-used dancewear and $2,000 in grants and donations since formally launching in April. Dancers or studio owners can request items through a form on the organization's website.

"I knew that dancewear was really expensive and that a lot of students might not be able to do the thing that they love because it's cost-prohibitive," de Roos said. "I really wanted to create something to allow people to have the same experience of the love and joy of dance that I've been so grateful to have."

After SAB shifted its winter term online amid the COVID-19 pandemic, de Roos decided to expand Peace Love Leotards. She reached out to dance companies, resulting in partnerships with brands including Jo+Jax, Lone Reed Designs, RubiaWear and Wear Moi.

"To have them be like 'We want to help you with this and we love this idea and what you're doing is amazing,' that was really exciting to me," she said. "It was very heartwarming."

Jordan Reed, the creator of custom dancewear brand Lone Reed Designs, said she has donated seven items to Peace Love Leotards with plans to donate more consistently every quarter. Custom leotards often retail at higher prices, but Reed, a former Houston Ballet corps member, said the one-of-a-kind clothing offers an "extra bit of confidence, which can go more than a long way in a dancer's journey of training."

Paul Plesh, a sales director for Wear Moi in the United States and Canada, said the company donated 11 leotards after finding Peace Love Leotards' mission to be "commendable." Joey Dowling-Fakhrieh, the founder and creative director of Jo+Jax, said dancewear "can make a significant impact on a student's confidence, as well as how much they enjoy the process of learning dance."

De Roos has worked to expand Peace Love Leotards, Inc. rapidly in the past few months, but she first created the organization at eight years old after participating in a mentorship program with competitors in the Miss Florida and Miss Florida's Outstanding Teen pageants. The pageants, which are part of the Miss America Organization, require competitors to have personal platforms they advocate for as titleholders. As a competition dancer, de Roos instantly thought about the cost barriers to dance when wondering what her own future platform would be.

De Roos said she and her young classmates often outgrew nearly brand-new dancewear, so she approached her studio's owner about placing a collection box at the studio.

Barbara Mizell, who owns Barbara's Centré for Dance in Florida, said she was unsurprised by de Roos' proposal. De Roos always had "such a way of pushing herself and she never forgot those around her," Mizell said. As the box filled up, she distributed the dancewear to others at the studio, local schools with dance programs, and the local YMCA.

"When they could start to see that it was providing happiness for others, then it was almost like the kids couldn't wait to donate," Mizell said.

Nearly a decade after the Miss Florida organization inspired her to launch Peace Love Leotards, de Roos is now a titleholder herself, as Miss Gainesville's Outstanding Teen 2020. Her new mission for Peace Love Leotards is applying for grants, and she has already received a $1,000 grant from the Delores Barr Weaver Legacy Fund that will be used to fund a Title 1 school class.

"The whole organization behind Peace Love Leotards is the dancers," de Roos said. "Being able to help the dancers that are in need and being able to think about the dancewear that they're going to be receiving or have received has been truly amazing."

Editors' Picks