Suzanne Farrell Ballet Gears Up for Rarely Seen Gounod Symphony

George Balanchine's Gounod Symphony is one of those ballets that seems to have fallen through the cracks, for no good reason. This 25-minute work, set to Charles Gounod's lively first symphony, has largely faded from popular repertoire. (It was last performed at New York City Ballet in 1993, and by the School of American Ballet in 2007.) But this fall, The Suzanne Farrell Ballet is bringing Gounod back. It will receive its company premiere October 21–23 at the John F. Kennedy Center for the Performing Arts.

The Suzanne Farrell Ballet in rehearsal (Courtesy The John F. Kennedy Center for the Performing Arts)

At its premiere in January 1958 at New York City Center, its cast of 32 was led by Maria Tallchief and Jacques d'Amboise. But the dancer most closely associated with the lead ballerina role was the French-born Violette Verdy. This makes sense, since there is something very French about Gounod, a kind of brilliance and formality associated with the Paris Opéra. (Some have linked it to Symphony in C, also set to French music.) Its choreography overflows with brilliant patterns made up of clean, bright, intercrossing lines. Verdy compared it to the gardens of Versailles, and, in fact, the sets designed by Horace Armistead had a garden theme; they were originally used in NYCB's production of Antony Tudor's Jardin aux Lilas. For The Suzanne Farrell Ballet premiere, however, the ballet is getting a new look. Though she won't reveal any details, Farrell says the concept “will allow us to see the choreography better."

Farrell will be staging it, though she never danced it herself. Her tools are “an old, silent archival video in black-and-white" starring Diana Adams and Jacques d'Amboise, and of course the Gounod score. (She staged the ballet once before, for the School of American Ballet, in 1991.) Since there were no archival videos of the ballet on YouTube for her dancers to study, everyone in the room was seeing the steps for the first time, as if it were a new ballet. As she puts it: “It's almost as if the ballet were being created now by Mr. B."

Not long ago, for World Ballet Day (Oct. 4), the company filmed an open rehearsal:

It turns out that the premiere will also be a kind of farewell. Recently the Kennedy Center, which funds The Suzanne Farrell Ballet, announced that the company will disband after final performances in December, 2017. Farrell's role at the Center hasn't been fully defined, but she will continue to serve as a teaching artist as part of the Center's expansion, which includes new studios, a lecture hall and more. She's not wistful, but, as she recently told The Washington Post: “I'm very proud of my dancers and everything we've done, and I'm grateful for that." —Marina Harss

News
The Joffrey Ballet's Amanda Assucena and Greig Matthews in Cathy Marston's Jane Eyre. Cheryl Mann, Courtesy Joffrey Ballet.

Wonder what's going on in ballet this week? We've rounded up some highlights.

Keep reading... Show less
Sponsored by BLOCH
Courtesy BLOCH

Today's ballet dancer needs a lot from a pointe shoe. "What I did 20 years ago is not what these dancers are doing now," says New York City Ballet shoe manager Linnette Roe. "They are expected to go harder, longer days. They are expected to go from sneakers, to pointe shoes, to character shoes, to barefoot and back to pointe shoes all in a day."

The team at BLOCH developed their line of Stretch Pointe shoes to address dancer's most common complaints about the fit and performance of their pointe shoes. "It's a scientific take on the pointe shoe," says Roe. Dancers are taking notice and Stretch Pointe shoes are now worn by stars like American Ballet Theatre principal Isabella Boylston, who stars in BLOCH's latest campaign for the shoes.

We dug into the details of Stretch Pointe's most game-changing features:

Keep reading... Show less
News
Herman Cornejo in Don Quixote. Gene Schiavone, Courtesy ABT.

American Ballet Theatre's fall season at Lincoln Center's Koch Theater offers a chance to see the company in shorter works and mixed-repertoire programs. This year's October 16–27 run honors principal Herman Cornejo, who's celebrating his 20th anniversary with the company. Cornejo will be featured in a special celebratory program as well as a new work by Twyla Tharp (her 17th for the company), set to Johannes Brahms' String Quartet No. 2 in G Major, Op. 111. The October 26 program will include Cornejo in a pas de deux with his sister, former ABT dancer Erica Cornejo.

Keep reading... Show less
Ballet Careers
Gray Davis with wife, ABT soloist Cassandra Trenary, after his graduation from the South Carolina Criminal Justice Academy. Courtesy Trenary.

When Gray Davis retired from American Ballet Theatre in July of 2018, he moved home to South Carolina, unsure of what would come next. Last month, just over a year later, Davis graduated from the South Carolina Criminal Justice Academy. Today, he's working as a deputy for the Abbeville County Sheriff's Office.

Though Davis danced in ABT's corps for 11 years and is married to soloist Cassandra Trenary, to many he's best known for saving the life of a man who was pushed onto the subway tracks in New York City in 2017. The heroic effort earned him the New York State Liberty Medal, the highest civilian honor bestowed by a member of the New York State Senate. We caught up with Davis to hear about how the split second decision he made in the subway affected the course of his life, what it's been like starting a second career and what he sees as the similarities between ballet and law enforcement.

Keep reading... Show less