Thinkstock

Ask Amy: Using Summer Layoffs to Train Elsewhere

I'm in a second company and I'd like to use my summer layoff to do an intensive elsewhere. Is there a tactful way to bring this up to my director? —Simone

This is tricky, and depends on your director. When I was a trainee, we were free to go elsewhere until the season started again—my director only requested that we stay in shape. But others may require that you stick around, or frown upon training at another school, so make sure you know where they stand. You should be able to ask a member of the artistic staff about an official policy. Understand that there may be consequences for going behind your director's back.


Still, I think you can be honest about attending another program if you frame it the right way. Directors know that smart young dancers (especially those who haven't received a corps de ballet contract yet) need to make connections. But you want to choose language that doesn't make it seem like you're seeking other opportunities and looking to jump ship. Instead, play up the learning factor—you want to expand your skills, work with a specific teacher, practice a different style. It shows that you're a go-getter and committed to staying in shape. Hopefully your director will see your interest in expanding your horizons as a good thing.

Have a question? Send it to Pointe editor in chief and former dancer Amy Brandt at askamy@dancemedia.com.

Latest Posts


Left to right: Dance Theatre of Harlem's Daphne Lee, Amanda Smith, Lindsey Donnell and Alexandra Hutchinson in a scene from Dancing Through Harlem. Derek Brockington, Courtesy Dance Theatre of Harlem

Dancers Share Their Key Takeaways After a Year of Dancing on Film

Creating dances specifically for film has become one of the most effective ways that ballet companies have connected with audiences and kept dancers employed during the pandemic. Around the world, dance organizations are finding opportunities through digital seasons, whether conceiving cinematic, site-specific pieces or filming works within a traditional theater. And while there is a consistent sentiment that nothing will ever substitute the thrill of a live show, dancers are embracing this new way of performing.

Keep reading SHOW LESS

#TBT: Mikhail Baryshnikov in "Fancy Free" (1981)

In Jerome Robbins's 1944 ballet Fancy Free, three sailors on leave spend the day at a bar, attempting to woo two young women by out-dancing and out-charming one another. In this clip from 1981, Mikhail Baryshnikov, who was then both the artistic director of American Ballet Theatre and a leading performer with the company, pulls out all the stops to win the ladies' affections.

Keep reading SHOW LESS
Bethany Kirby, Courtesy Tulsa Ballet

An Infectious-Disease Physician on What Vaccines Mean for Ballet

As the coronavirus pandemic grinds into its second year, the toll on ballet companies—and dancers—has been steep. How long before dancers can rehearse and perform as they once did?

Like most things, the return to normal for ballet seems to hinge on vaccinations. Just over 22 percent of people in the U.S. are now vaccinated, a way from the estimated 70 to 85 percent experts believe can bring back something similar to pre-pandemic life.

But what would it mean for 100 percent of a ballet company to be vaccinated? Tulsa Ballet artistic director Marcello Angelini is about to find out—and hopes it brings the return of big ballets on the big stage.

"I don't think companies like ours can survive doing work for eight dancers in masks," Angelini says. "If we want to work, dance, and be in front of an audience consistently and with the large works that pay the bills, immunization is the only road that leads there."

Keep reading SHOW LESS

Editors' Picks