Ballet Stars

The Standouts of 2018: Stuttgart Ballet in Christian Spuck's "Lulu"

Alicia Amatriain in the title role and Roman Novitzy as Dr. Schöning in Christian Spuck's Lulu. A Monstre Tragedy. Photo Courtesy Stuttgart Ballet/

It's not every day that a company presents a work so original, both in concept and execution, with dancers so well suited to its unique strengths, as Stuttgart Ballet in Christian Spuck's revival of Lulu. A Monstre Tragedy. Spuck, now artistic director at Zurich Ballet, choreographed the ballet while resident choreographer of Stuttgart Ballet in 2003.


Amatriain (center) with members of Stuttgart Ballet. Photo Courtesy Stuttgart Ballet.

Alicia Amatriain, who originated the title role, is the work's throbbing heartbeat. Her Lulu is raw, with lanky and pulsing movements and a questionable moral compass. The score, an artful compilation of works by Dmitri Shostakovich, Alban Berg and Arnold Schönberg, alternates between sweeping waltzes, reeling circus jaunts and sultry cabaret stints, while dancers adapt to Spuck's wavelike movement with stylish ease. But it's the atmosphere that transforms the dancing into a living work of art. Spuck's turn-of-the-century world is smoky and disheveled—a sea of leering faces and blurry eyes. The story is told as a whirlwind of cameos that achieve dreamlike and grotesque confusion. Revived for artistic director Reid Anderson's final season, Lulu's reworked choreography and fresh take artfully signify how Stuttgart's dancers can sink their teeth into the unknown.

The Conversation
Ballet Stars
Houston Ballet's Yuriko Kajiya and Linnar Looris in "The Merry Widow." Photo by Amitava Sarkar, Courtesy of Houston Ballet.

With Houston Ballet's Sunday performance of Marie, the company bade farewell not only to its spring season, but to two of its most beloved leading men: principal Jared Matthews and first soloist Linnar Looris each took their final bows on the Wortham Theater Center stage. Both men will travel soon to Estonia, where they will work together to lead the Estonian National Ballet, with Looris serving as the company's artistic director and Matthews as the assistant to the artistic director.

Keep reading... Show less
The Royal Ballet's Vadim Muntagirov and Marianela Nuñez in La Bayadère. Photo by Bill Cooper, Courtesy ROH.

Do you ever wish you could teleport to London and casually stroll into The Royal Opera House to see some of the world's best-loved ballets? Well, we have a solution for you: The Royal Ballet's 2018-19 cinema season.

Whether live or recorded, the seven ballet programs listed below, streaming now through next October, will deliver all of the magic that The Royal Ballet has to offer straight to your local movie theater. Can you smell the popcorn already?

Keep reading... Show less
Ballet Careers
Getty Images

As an aspiring or professional dancer, whose voice do you hear the most in your head? While you may think it's the voice of your teacher, ballet master or director, or perhaps even your friends and colleagues, it's most likely your own. Even when we're not speaking out loud, we're in constant dialogue with ourselves. But whether you're thinking about choreography or your to-do list, how does that voice sound?

In a field that is already hypercritical, let's pause and evaluate exactly what we're saying to ourselves. Is our inner voice helping, or could it be hurting?

Keep reading... Show less
Site Network
James Whiteside (Jayme Thornton for Dance Magazine)

Say you're perpetually impeccable designer Thom Browne. Say you're planning your Spring 2020 Paris menswear show along a "Versailles country club" theme. Say you want a world-class danseur to open the show with some kind of appropriately fabulous choreography.

Who do you call? James Whiteside, of course. On Saturday, the American Ballet Theatre principal—wearing pointe shoes and a glorious pinstriped tutu—kicked off Browne's presentation at the École des Beaux-Arts with a 15-minute, show-stealing solo. Whiteside choreographed the piece himself, with the help of detailed notes from the designer.

Keep reading... Show less