Hoop earrings are a trademark for Melissa Anduiza. “They remind me of my Cuban side,” she says. The Complexions Contemporary Ballet dancer draws inspiration from the bright colors and warm climate of her Miami hometown, and her Cuban and Filipino heritage. “I have a white pantsuit that I rock every once in a while—I feel like I’m part of ‘Miami Vice’ or something,” she says. “And I like that islandy feel in the summertime. Whenever I go home, I’m always in a romper or a sundress.” Anduiza prefers a casual yet polished look and gets ideas from fashion icons like blogger Marianna Hewitt, whom she follows on social media. “I like to dress kind of edgy, but classy at the same time,” she says. In the studio, the company’s contemporary rep calls for pieces that show off her lines. “At Complexions, we always wear things that are fitted to the body. Just our warm-ups are loose,” Anduiza says. She’ll often balance basic shorts with an unusual top to add flair for class or rehearsal. “I dress to make myself look great,” she says. “It’s comfortable, but always a clean look.”

The Details—Street

Blazer: “I ordered it from Wish, the fashion app. They have a bunch of stuff that I don’t usually see in the stores.”

Busch Gardens T-shirt: “My brother is an artist and he used to wear this when he painted. I stole it from him and cut it off at the shoulders. It has a huge white tiger on the front, and I just thought it was beautiful.”

Forever 21 leggings: “I think you can never go wrong with a pair of black leggings and some kind of cute top.”

(Photo by Kyle Froman, at the Joyce Theater)

The Details—Studio

KD New York shirt and legwarmers: “I recently modeled in a photo shoot for KD, and they gave me these as a gift.”

Shorts: “At Complexions, everyone’s always wearing black shorts. We don’t even really wear tights.”

Freed of London pointe shoes, Crown maker: “I put them on at barre because I want them to feel like my own feet. I keep them on for center for a little bit, and then I’ll take them off for jumps to give my feet a break.”

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Ballet Stars
Canadian junior finalist Mya Kresnyak in a variation from "Paquita." Photo by Richard Finkelstein, Courtesy USA IBC.

On June 10, 119 dancers from 19 countries gathered in Jackson, MS to compete in the USA International Ballet Competition. Today, the USA IBC announced the list of 32 finalists, who will compete for medals and cash awards in Round III, held June 19-21. All of the finalists will receive a travel stipend, and medalists and award winners will be announced at the competition's gala on June 22. See the full list below, and stay tuned all week on our Facebook and Instagram pages as we bring you the latest from Jackson, live.

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On June 20, Royal Danish Ballet will open the Jacob's Pillow Dance Festival with a weeklong run in the historic Ted Shawn Theatre. The celebrated relationship between the Copenhagen-based company and the Pillow dates back to 1954, when leading RDB soloist Inge Sand stepped in to replace a dancer from another company at the last minute, resulting in her U.S. debut. Her popularity led to the company's inaugural U.S. performance at the festival the next summer. According to the Pillow's director of preservation, Norton Owen, this was also the first time that works by August Bournonville, the famed 19th-century Danish choreographer, were seen in this country. Following its success at Jacob's Pillow, RDB made its New York City debut at the Metropolitan Opera House in 1956, and in 1957 the King of Denmark knighted Jacob's Pillow founder Ted Shawn for his role in bringing Danish ballet to America. Over the next 20 years, soloists from RDB returned to the Berkshires frequently to great acclaim; their most recent visit was in 2007.

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Photo by Amitava Sarkar, Courtesy Houston Ballet

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Sara Webb and Connor Walsh with Artists of Houston Ballet in "Swan Lake" choreographed by Stanton Welch. Photo by Amitava Sarkar, Courtesy Houston Ballet.

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The Australian Ballet's Triple Bill, Verve, Includes New Work by Company Dancer Alice Topp

Verve, a triple-bill program from The Australian Ballet running June 21-30 in Melbourne, will host revivals of works from resident choreographers Stephen Baynes and Tim Harbour, as well as a world premiere from company coryphée Alice Topp. Topp's Aurum is inspired by kintsugi, a Japanese art in which broken ceramics are mended using lacquer colored with silver or gold, so that the cracks are emphasized, instead of hidden. In Aurum, Topp applies that philosophy to the human ability to find beauty in vulnerability and imperfections. Completing the bill are Baynes's Constant Variants, which pairs neo-classical ballet with a Tchaikovsky score, and Harbour's Filigree and Shadow, a contemporary ballet featuring striking set and lighting design.

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