Photographed for Pointe by Nathan Sayers, Modeled by Petra Love

Rock-solid six-pack abs may be alluring. But having them doesn't guarantee you the core strength to support ballet's complex movements, like coordinated pirouettes and controlled extensions. That abdominal strength lies much deeper—and requires more subtle work than crunches. One good place to start, says Erika Kalkan, PT, DPT, OCS, who works with dancers in New York City, Sag Harbor and Los Angeles, is by learning to engage the transversus abdominis. As the deepest abdominal muscle, its fibers wrap around the waist and pelvic area to the lower back, like a corset that can be cinched by drawing the belly button in. "When active, the transversus abdominis narrows the waist and flattens the abdomen," says Kalkan, "and it begins to stabilize the spine before movement of the arms or legs occurs."

The deep abdominals and other muscles of the core, like the lumbar multifidus, pelvic floor and diaphragm, are particularly important for ballet dancers with extreme flexibility in their spine and hips, says Kalkan. When these core muscles are properly engaged, they help prevent injury and stabilize the body to give you better support in your extensions and turns.


Strengthening this area, however, won't feel like a typical ab workout. "These muscles can be difficult to find because they won't give the sensation of burning when exercised," she says. When the transversus abdominis is engaged, Kalkan says, you can locate it by wrapping your thumbs and fingers around your waist and resting the fingertips between the pelvic bones (as shown at left). If you feel a gentle tension along the inner edges of the pelvis, you're using the muscle. Kalkan recommends the following exercises, which can be done daily, to build deep abdominal strength. But be patient: "This work requires focus," she says, "and slow, gentle activation."


Abdominal Hollowing

1. Kneel on all fours, and let your stomach completely relax and fall toward the floor. Kalkan suggests working next to a mirror, so you can make sure you're maintaining a flat back throughout the exercise.


2. Using a long exhale, draw the abdominals in toward the spine—you can even make a soft "ha" sound as you exhale. Hold for 10 seconds and continue breathing normally before relaxing the belly. Do 10 reps. As you get stronger, gradually increase the duration of the contraction to 20 or 30 seconds.


Contracting on the Floor

1. Lie on your back with your knees bent and feet flat on the floor.

2. Use the breath to slowly draw the belly button in, keeping a neutral pelvis. Imagine that you're zipping up tight jeans and must pull your belly in to do so, says Kalkan. Hold the contraction for 10 seconds before releasing. Do 10 reps.

Try These Variations:

Once you're familiar with the sensation of engaging the transversus abdominis, challenge yourself by integrating more movement. Each uses the same starting position as above and can be done for 10–20 reps.

Slowly drop one knee open as far you can while keeping the opposite hip down. Return it to the starting position and alternate legs.

Lift and lower one foot at a time slightly off the floor, taking small marching steps.

Flex one foot and slide the heel along the floor until the leg is straight. Draw it back in and continue switching legs.

Giveaways
Modeled by Daria Ionova. Darian Volkova, Courtesy Elevé Dancewear.
Keep reading... Show less
News
Boston Ballet's Kathleen Breen Combes, María Álvarez and Dawn Atkins. Christopher Duggan, Courtesy Jacob's Pillow.

Wonder what's going on in ballet this week? We've rounded up some highlights.

Keep reading... Show less
Ballet Stars
Alexandra MacDonald (front row, third from left) didn't win a medal at the Genée International Ballet Competition, but says she came home inspired and newly motivated by the people she met there. Photo Courtesy Genée IBC.

Ballet competitions are an exciting part of any dancer's career. Yet while scholarships, prize money, job offers and the prestige that comes with winning a medal are compelling incentives to participate in one, they're not the only benefits. In fact, many dancers who go home empty-handed still look fondly on the experience and go on to become successful professionals.

This week, the 2019 Genée International Ballet Competition kicks off in Toronto. From August 20-29, over 50 dancers, ages 15–19 and trained in the Royal Academy of Dance syllabus, will perform three solos in the hopes of winning a medal and a $10,000 cash prize. Many past medalists have gone on to illustrious careers—but so have those who didn't win anything. We spoke with three Genée alumni now dancing professionally who know what it's like not to place. Read on to find out why they deem their comp experiences a success, and how you can make the most of yours—whether you win or not.

Keep reading... Show less
Ballet Stars
Skylar Brandt and Josephine Lee. Screenshot Courtesy Lee.

Master pointe shoe fitter Josephine Lee of the California-based ThePointeShop chats with American Ballet Theatre soloist Skylar Brandt to hear about how she prepares her pointe shoes. We think Brandt might win an award for how long she makes her shoes last; watch the below video for the staggering number of days (or weeks!), and to hear about all of her unique customizations and pro tips.