Hyltin in Jerome Robbins' Afternoon of a Faun. Photo by Paul Kolnik, Courtesy NYCB.

The Standouts of 2018: NYCB Principal Sterling Hyltin in Robbins' "Afternoon of a Faun"

New York City Ballet's Robbins 100 Festival last spring included 19 Jerome Robbins ballets performed over the course of two and a half weeks, requiring extreme stamina and versatility from the company's dancers. No one rose higher to the occasion than principal Sterling Hyltin. The festival showcased the breadth of her range, yet Hyltin shone brightest in Robbins' 1953 Afternoon of a Faun. From her first entrance through the door of the gauzy studio set to the end of the 11-minute pas de deux, Hyltin's embodiment of the role was complete; each movement expressed the naiveté and ethereal sensuality of her character. Her leggy, lithe physique is reminiscent of Tanaquil Le Clercq, the NYCB ballerina on whom the work was made and is now dedicated.


Anatomy of a Dance: Craig Hall on Jerome Robbins' AFTERNOON OF A FAUN www.youtube.com

Hyltin's total focus was most evident in her facial expressions; when she brought her hands to her cheek after being kissed, she exuded pure tenderness. One hopes that upcoming seasons give Hyltin more opportunities to act as a vessel for Robbins' timeless works.

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How Can I Stay Motivated While Training at Home?

Ethan Ahuero was having a good year: he was in his first season dancing with Kansas City Ballet II and had been presented with the opportunity to choreograph on the second company. "The day before we shut down I had a rehearsal, and I was so happy," Ahuero says. "The piece was coming together and this was the first time I felt really proud of my creative process."

Suddenly, the coronavirus pandemic brought everything to a halt. With the company's season cut short and the studios closed, Ahuero found himself attempting to continue dancing from home, with his choreography project put on hold. Like many other dancers around the world, Ahuero is dealing with disappointment while struggling to stay motivated.

Keeping up with daily ballet classes may feel difficult right now; inspiration can seem hard to come by when you're following along on Zoom and short on space at home. Below are a few simple tips for finding new ways to stay motivated.

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Isabella Boylston has been teaching on Zoom for Universal Ballet Competition, as well as on Instagram Live. (Courtesy Boylston)

(Virtual) Dancing with the Stars: How to Get the Most Out of Online Classes with Dance Celebs

When your dance studio is your second home, taking class in your actual home just isn't the same. But if there's one silver lining to the current situation, it's that some of the biggest dance stars from stage and screen have gone online to lead barres, host dance parties, demonstrate combos, and teach technique classes—some of which are completely free.

"Students can learn so much from working with the pros directly," says American Ballet Theatre principal Isabella Boylston, who teaches on Zoom through Universal Ballet Competition as well as offering the Cindies Ballet Class on Instagram Live with fellow ABT principal James Whiteside. "It's inspiring and eye-opening to connect with dancers all over the world."

So what benefits do these virtual master classes offer? How do they fit into your overall training regimen? And how do you even navigate all of the content that's out there? Read on for advice from the pros.

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Tulsa Ballet in Ma Cong's Tchaikovsky: The Man Behind the Music. Kate Luber Photography, Courtesy Tulsa Ballet.

Updated: Mark Your Calendars for These Online Ballet Performances

Updated on 5/21/2020

Since COVID-19 has forced ballet companies around the world to cancel performances—and even the remainder of their seasons—many are keeping their audiences engaged by streaming or posting pre-recorded performances onto their websites or social media channels. To help keep you inspired during these challenging times, we've put together a list of upcoming streaming events and digital performances.

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