Ballet Stars

The Standouts of 2017: Simone Messmer in Miami City Ballet's "The Fairy's Kiss"

Messmer in "The Fairy's Kiss." Photo by Gene Schiavone, Courtesy Miami City Ballet.

An ambiguous figure—does she bless or curse an orphaned boy?—but clear-cut in the beauty of her steps, the title character of Alexei Ratmansky's The Fairy's Kiss gained dimension, thanks to Simone Messmer's bold portrayal. In this history-steeped premiere for Miami City Ballet, the principal dancer—then in her second year with the company—flashed through as an obstinate spirit, a mysterious gypsy and a shrewd seductress: all manifestations of a beguiling dealer in destiny. Whether leading her supernatural posse or intruding upon human affairs, Messmer's fairy stayed aloft on Stravinsky's music to follow the dictates of drama, which Ratmansky distilled from a Hans Christian Andersen story and its earlier ballet productions. Messmer has praised the renowned Russian choreographer for the humanity he shows through the logic of his classicism. That sentiment—really a recognition of a practitioner's reverence for the art form—must certainly be mutual.


Messmer in "The Fairy's Kiss." Photo by Gene Schiavone, Courtesy MCB.

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Rachel Hutsell Photographed for Pointe by Jayme Thornton.

This is Pointe's June/July 2018 Cover Story. You can subscribe to the magazine here, or click here to purchase this issue.

"I'm very cautious by nature," Rachel Hutsell says over herbal tea at Lincoln Center between rehearsals. You wouldn't think so from the way she moves onstage or in the studio. In fact, one of the most noticeable characteristics of Hutsell's dancing is boldness, a result of the intelligence and intention with which she executes each step. (What she calls caution is closer to what most people see as preparedness.) She doesn't approximate—she moves simply and fully, with total confidence. That quality hasn't gone unnoticed.

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Looking for your next audition shoe? Shot at and in collaboration with Broadway Dance Center, Só Dança has launched a new collection of shoes working with some pretty famous faces of the musical theater world! Offered in two different styles and either 2.5" or 3" heels, top industry professionals are loving how versatile and supportive these shoes are! Pro tip: The heel is centered under the body so you can feel confident and stable!

Ballet Stars
Jacques d'Amboise and Adrian Danchig-Waring in conversation at the National Dance Institute. Photo Courtesy NDI.

"Jerry, throughout his life, wanted a world where races, cultures and people came together without conflict and hate and anger, but lovingly, to make a community." These words were spoken earlier this week by Jacques d'Amboise at an event titled Upper West Side Story: A Celebration of Jerome Robbins, hosted by National Dance Institute, which d'Amboise founded in 1976 to provide free arts education to children in New York City and beyond. D'Amboise then reiterated his point by quietly singing the famous refrain from West Side Story, which Robbins choreographed and directed for both screen and stage: "There's a place for us."

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Editors' List: The Goods
Courtesy Soffe, Dicsount Dance Supply, Danskin. LeaMarie leotard photographed by Jayme Thornton

Considering we practically live in our dance clothes, there's really no such thing as having too many leotards, tights or leggings (no matter what our mom or friends say!). That's why we treat every sale as an opportunity to stock up. And thanks to the holiday weekend, you can shop all of your dancewear go-tos or try something totally new for as much as 50% less than the usual price.

Here are the eight sales we're most excited about—from online options to in-store retailers that will help you find the perfect fit. Happy Memorial Day (and shopping)!

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Joffrey Ballet dancers Christine Rocas and Dylan Gutierrez in "Giselle." Photo Courtesy Spring to Dance Festival.

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Hailed as "arguably the best dance buffet in the Midwest" by the Chicago Tribune, the popular festival is known for championing lesser-known regional dance artists and companies. It will retain that focus under Marling, along with representation by more familiar names such as Houston Ballet, Joffrey Ballet and Marling's former company, Hubbard Street Dance Chicago.

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Ballet Stars

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I'm 15 and want to be a professional ballet dancer. I have ballet five times a week, contemporary once a week and rehearsals year-round. It is 15 to 20 hours a week. When I hear about dancers doing 30-plus hours a week, I worry that I dance too little. Is my schedule enough? —Caroline

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