Ballet Stars

The Standouts of 2017: Chyrstyn Mariah Fentroy and Da'Von Doane in "Brahms Variations" for Dance Theatre of Harlem

Doane and Fentroy brought musical sensitivity to "Brahms Variations." From left: Heiko DeWees, Courtesy DTH; Rachel Neville, Courtesy DTH.

There's nothing more satisfying than witnessing young dancers take their artistry to the next level. During Dance Theatre of Harlem's spring season at New York City Center, Chyrstyn Mariah Fentroy and Da'Von Doane—two dancers who had grown up at DTH since the company relaunched in 2013—brought joy and sophistication to Robert Garland's Brahms Variations. Costumed in sunny yellow and muted gray, the pair were perfect vessels for Johannes Brahms' Variations on a Theme by Haydn, punctuating accents and lengthening through legatos with heightened musical sensitivity.


Fentroy, who joined Boston Ballet this fall, danced with breezy assuredness, her long limbs catching an imaginary wind under pliant, articulate feet. Doane's partnering was simultaneously strong and sensitive, and his mastery of Garland's neoclassical choreography proved a satisfying blend of technical crispness and finessed phrasing. Their performance left a lasting impression, taking each to new depths.

The Conversation
Hamrick rehearsing Port Rouge in St. Petersburg. Photo courtesy Hamrick

Choosing music for your first-ever choreography commission can feel daunting enough. But when you're asked to create a ballet using the vast discography of the Rolling Stones—and you happen to be dating Stones frontman Mick Jagger—the stakes are even higher.

So it's understandable that as of Monday, American Ballet Theatre corps de ballet dancer Melanie Hamrick, whose Port Rouge will have its U.S. premiere tonight at the Youth American Grand Prix gala, was still torn about which songs to include.

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The Royal Ballet's Vadim Muntagirov and Marianela Nuñez in La Bayadère. Photo by Bill Cooper, Courtesy ROH.

Do you ever wish you could teleport to London and casually stroll into The Royal Opera House to see some of the world's best-loved ballets? Well, we have a solution for you: The Royal Ballet's 2018-19 cinema season.

Whether live or recorded, the seven ballet programs listed below, streaming now through next October, will deliver all of the magic that The Royal Ballet has to offer straight to your local movie theater. Can you smell the popcorn already?

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Ballet Stars
Royes Fernandez and Maria Tallchief in "Les Sylphides." Captured via YouTube.

In the early years of professional ballet in the United States, influential American dancers played key roles in changing perspectives of ballet as a strictly European art form. Maria Tallchief and Royes Fernandez were among those dancers who helped establish and define an American ballet aesthetic and identity: she as the original prima ballerina of New York City Ballet and he as American Ballet Theatre's Siegfried in the company's first full-length production of Swan Lake. These two exceptional performers are mesmerizing together in this 1963 excerpt from Fokine's Les Sylphide.

Maria Tallchief, Royes Fernandez - Excerpt from 'Les Sylphides' www.youtube.com

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News
She's back! (Erin Baiano)

Congratulations are in order for Kathryn Morgan! After a long struggle with hypothyroidism, which led to the ballerina's resignation from New York City Ballet in 2012, Morgan is now set to dive back into full-time professional dance as a soloist at Miami City Ballet.

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