Photo by Emily Giacalone, modeled by Nicole Buggé

Power Up Your Petite Allégro With These Squat Exercises

This story originally appeared in the June/July 2016 issue of Pointe.

Though you may not think about it much, building strength in the muscles around the hips is a must for ballet dancers. Pacific Northwest Ballet's physical therapist Boyd Bender even likes to think of the gluteus maximus, medius and minimus and the deep external rotators of the hips as integral core muscles. “They're as important as the abs and posterior trunk muscles," he says.

Why? Because they give dancers a strong support base for the torso and standing leg, so the working leg can move freely. And they're key players in petit allégro, since these muscles help create propulsion for jumps and control the hips and the rest of the legs during landing. Bender recommends the following exercises, both takes on a basic squat, for boosting overall hip strength. If you're not injured, they can be done every other day after warming up.


You'll need:

  • A Thera-Band
  • A clear space against a wall

Thera-Band Squat

1. Tie a Thera-Band in a loop around your thighs and position it just above the knees. Stand with both legs in a parallel position, knees slightly wider than your shoulders.

2. Lower into a squat, sinking your weight into your heels as your arms reach forward. Return to standing. The goal, Bender says, is to use your left and right legs equally. Try to counteract the resistance of the Thera-Band, which is attempting to internally rotate and adduct the hips.


One-Legged Squat

1. Stand in parallel or with slight turnout, with your back toward the wall and one foot against it for balance. The raised shin should be parallel to the floor.

2. Keep a neutral spine as you lower into a one-legged squat. It's okay to pitch forward slightly with your upper body. Bender says this alignment will challenge the gluteal muscles even more. Return to standing (keeping the back leg up on the wall) and repeat on the same leg. Do all reps on one leg before switching to the other.


Challenge yourself: Once you've mastered this one-legged squat, Bender says you can move away from the wall to add more of a balance component. Practice the exercise in center with one leg raised behind you in the same bent parallel position.

Switch up your reps: For a balance between strength and stability, Bender recommends the following rep patterns for both exercises. On Monday, do 3 sets of 10 squats at a moderate pace. On Wednesday, do 1 set of 10, pausing 5 seconds at the bottom of each squat. (Keep alternating the sequences each time you work out.) Remember: More squats build strength, whereas longer pauses focus on stability. “The holds also give time to ensure your technique is correct," says Bender.

Photos by Emily Giacalone, modeled by Nicole Buggé

Latest Posts


Getty Images

The History of Pointe Shoes: The Landmark Moments That Made Ballet's Signature Shoe What It Is Today

Pointe shoes, with their ability to elevate a dancer both literally and metaphorically to a superhuman realm, are the ultimate symbol of a ballerina's ethereality and hard work. For students, receiving a first pair of pointe shoes is a rite of passage. The shoes carry an almost mystical allure: They're an endless source of lore and ritual, with tips, tricks and stories passed down over generations.

The history of pointe shoes reveals how a delicately darned slipper introduced in the 1820s has transformed into a technical tool that offers dancers the utmost freedom onstage today.

Keep reading SHOW LESS
Matthew Holler

How Sarasota Ballet Principal Danielle Brown Stays Cool Without Compromising on Style

When it comes to fashion, Sarasota Ballet principal dancer Danielle Brown favors breezy fabrics in a mix of neutral and light colors. "I like wearing fitted, but not tight, clothes, especially outside of ballet," says Brown. Skirts and dresses are her go-to. "In the hot Florida weather, I like to wear stuff that's more flowy and lightweight."

Another go-to? Vintage shopping. "Here in Sarasota, my favorite spot is Canned Ham Vintage. It started in one of those silver, retro camper vans, then it got a much bigger location." She also loves brands that have an eclectic feel already built into their stores, like Anthropologie and Free People.

In the studio, she sticks to neutrals and softer colors, like a blushy pink or mint and sage greens. Brown, who has her own leotard and accessories line called RAE Boutique, often designs her own looks. She's drawn most to the classical aesthetic of ballerinas like Margot Fonteyn and Natalia Makarova. "But I'll always put my own twist on it and try to make it a little bit more current."

Keep reading SHOW LESS
Getty Images

How Coming Back to Ballet After Years Away Has Saved Me During the Pandemic Shutdown

I was 4 years old when I took my first ballet lesson. My mom had dressed me in a pink leotard with matching tights, skirt and slippers. She drove me on a Saturday morning to a ballet academy in downtown Caguas, the town in Puerto Rico where I grew up. I don't remember much from the first lesson, but I do recall the reverence. My teacher Mónica asked the class if someone wanted to volunteer to lead. She was surprised I—the new girl—was the one to raise my hand.

I made up most of the steps, mimicking the ballerinas I had seen on TV and videos. At one point, Mónica stepped in and asked me to lead the class in a bow. I followed her directions and curtseyed in front of the mirror with one leg behind me and a gentle nod. I looked up to find myself in awe of what I had just done.

This was the same feeling I had when, after years away from dance, I finished my first YouTube ballet class at home in the midst of the coronavirus pandemic.

Keep reading SHOW LESS

Editors' Picks